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If you took away everything in the world that had to be invented, there'd be nothing left except a lot of people getting rained on.
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I shall have poetry in my life. And adventure. And love, love, love, above all. Love as there has never been in a play. Unbiddable, ungovernable, like a riot in the heart and nothing to be done, come ruin or rapture.
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I'm offended by things and take pathetic little stands against them.
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Carnal embrace is the practice of throwing one's arms around a side of beef.
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The causes we know everything about depend on causes we know very little about, which depend on causes we know absolutely nothing about.
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A writer doesn't really have much of a function on a movie set.
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Of all forms of fiction, autobiography is the most gratuitous.
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Normally, even if you're on the set for 12 hours, there may be only a moment or two when you are actually useful.
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To say that it is without pace, point, focus, interest, drama, wit or originality is to say simply that it does not happen to be my cup of tea.
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If rationality were the criterion for things being allowed to exist, the world would be one gigantic field of soya beans!
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Writing a play is like smashing that [glass] ashtray, filming it in slow motion, and then running the film in reverse, so that the fragments of rubble appear to fly together. You start - or at least I start - with the rubble.
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Information is light. Information in itself, about anything, is light.
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I take every possible side.
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ROS: Why don't you go and have a look? GUIL: Pragmatism?! - is that all you have to offer?
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My scripts are possibly too talkative.
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Fantasy flows in where fact leaves a vacuum.
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I mean, if Beethoven had been killed in a plane crash at twenty-two, the history of music would have been very different. As would the history of aviation, of course.
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The trouble is, I can't find a part of myself where you're not important. I write in order to be worth your while and to finance the way I want to live with you. Not the way you want to live. The way I want to live with you. Without you I wouldn't care. I'd eat tinned spaghetti and put on yesterday's clothes. But as it is I change my socks, and make money, and tart up Brodie's unspeakable drivel into speakable drivel so he can be an author too, like me.
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If the audience is made to do not enough work, they resent it without knowing it. Too much and they get lost. There's a perfect pace to be found. And a perfect place that is different for every line of the play.
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I was delighted to not go to university. I couldn't wait to be out of education.
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I don't really have a system or set of principles. It's kind of common sense mixed up with instinct.
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A great production of a black comedy is better than a mediocre production of a comedy of errors.
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You think human nature is a beast, that it must be put in a cage. But it's the cage that makes the animal bad.
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I think that the present is worth attention, one shouldn't sacrifice it to future conceptions of, of this future or that future.