Candice Swanepoel Quotes
Quotes to Explore
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I never understood the realism of an imaginary circumstance. While I was doing 'Smoke Signals,' I relied on my instinct and what I grew up with. I had this energy, but it was a one-dimensional thing.
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At one level, an award is an endorsement, a confirmation, but I always find myself looking askance at awards and good reviews, as though another Garry Disher had earned them.
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My dad has totally taken my Cat Stevens T-shirt, but it's OK; I have his Black Flag one, and that's amazing.
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We're seeing quite a lot of people who really would like a return to class-based politics.
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When an inner situation is not made conscious, it appears outside as fate.
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The Sparks have always been committed to success and making the right moves to build upon their rich tradition in the WNBA.
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There are as many pillows of illusion as flakes in a snow-storm. We wake from one dream into another dream.
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The horror genre is my personal favorite. But then again, I was the kid who read coroner books for fun.
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In the day-to-day, farm work is stress relief for me. At the end of the day, I love having this other career - my anti-job - that keeps me in shape and gives me control over a vegetal domain.
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As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.
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I started off first doing a TV series called 'Boston Common.' That was my first big job, and then I went on to do another half hour comedy show, and that was with Tom Arnold, called 'The Tom Show.'
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O man you are busy working for the world, and the world is busy trying to turn you out.
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I grew up in a village of 12 houses. We had a well and a cow.
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When our interests matched, the Americans have been good to us, and when the interests differed, they wanted us to mold ourselves to them, which we refused.
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No ideas and the ability to express them - that's a journalist.
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One shouldn't know the future.
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I can remember the first time I ever recorded my vocals on to a beat. Cat Coore from Third World - a legendary Jamaican band - had a little demo set up at his house. I'm very good friends with his eldest son, Shiah, who plays with me now. So we were rhyming over a track by the dancehall artist Peter Metro. I've still got it somewhere.
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If you were successful, somebody along the line gave you some help... Somebody helped to create this unbelievable American system that we have that allowed you to thrive. Somebody invested in roads and bridges. If you've got a business - you didn't build that. Somebody else made that happen.
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I'm scared of any fighter I've ever fought because they are some dangerous people to be dealing with. That's also where the anxiety comes from.
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I have been much amused at ye singular phenomena resulting from bringing of a needle into contact with a piece of amber or resin fricated on silke clothe. Ye flame putteth me in mind of sheet lightning on a small-how very small-scale.
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What the Bleep Do We Know was not written with a deaf person in mind, but when they met me, it clicked with them to have me in it. But that happens with a lot of actors in Hollywood, not just with me.
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My reading and drawing drew me away from the ordinary interests, and I lived a great deal in the world of imagination, feeding upon any book that fell into my hands. When I had got hold of a really thick book like Hugo's 'Les Miserables,' I was happy and would go off into a corner to devour it.
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I was never a villain on the stage. I always played strong, sympathetic types. My first stage role with a speaking part, believe it or not, was as a priest. It wasn't until I began acting in films that the producers and directors saw me primarily as a bizarre villain.
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I am healthy and happy.
