Michael Stuhlbarg Quotes
Quotes to Explore
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Stage and film are just two wildly different animals. Why compare the two?
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But the process of making a film is not glamorous. Certainly not my films.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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For me, the whole process involves envisioning this book in my head as I'm working.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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A mistake that a lot of us have made, related to those who advocate for gun safety legislation, is that we try to process it through our legislative bodies, and that's where the NRA's strength lies.
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I write in freehand equivalents because measuring, to me, takes away from the creative process of cooking. Two turns of the pan with EVOO is about two tablespoons.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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I've only used my own voice about four times on film.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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It's a pretty brutal process, having a baby.
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There are amendments never offered, there are bills never heard, that are basically killed because of the process.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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If we freed up all the money in the certification process, think about how much more money we'd have to put into teacher salaries.
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If the money's right, I'll do a film.
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The fabulous side of Taboo was dressing up and dancing like no one was watching you. There were no rules. You had Jeffrey Hinton playing every kind of music. It was like going back to when I used to deejay at Planet in '79, where you'd mix in nutty things like hip-hop or reggae or The Sound of Music 1965 or other film soundtracks - whatever.
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I discover what my film is by embarking on the journey of making it.
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Now it's somewhat easier for a woman to be a film producer or something like that if she wants, though it's not that easy. But to be any kind of successful woman took a lot of doing in the '30s, '40s, '50s, '60s... in the '70s it's getting simpler.
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Every time you play you have energy within you - universal energy. That's the energy that keeps everything together - the planets, the galaxies. Everything.
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Film, for me, has been a process of learning on the job.
