Michael Winterbottom Quotes
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.Michael Winterbottom
Quotes to Explore
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The way I like to work is to attach personal experiences to what I'm doing, so it helps tremendously if I can write my own play under what the writer has written.
Mandy Patinkin -
I've had the good fortune of studying the 17th-century art of Amsterdam in preparation for a film.
Jack O'Connell -
In Israel, waves of anger and fear circulate all the time, but so do jokes and gossip and silky evening breezes. So, too, in America.
P. J. O'Rourke -
Humility is a good estate; founded thereon, the whole spiritual edifice grows into a holy temple in the Lord. Through humility, some have even possessed the gates of their enemies. For which of the virtues is so mighty to subdue the pride of demons and the tyranny of men?
Saint Bernard -
Men are sort of doofuses about sunscreen, and for the most part, women are more inclined to take better care of themselves, but a reminder is always good for everyone.
Landon Donovan -
Those most moved to tears by every word of a preacher are generally weak and a rascal when the feelings evaporate.
Sallust
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In France and other European countries, film stars are more celebrated. In Germany, if we are good at what we do, we are respected but not acclaimed. And, of course, we are not paid like Americans are.
Barbara Sukowa -
Dolomite is a whole mess of stuff, a mixture. It gets characterised as 'a stuff' because of the interest of oil geologists. It would have been a nonentity were it not for its applications.
Ian Hacking -
There were a lot of offers before 'Vicky Donor,' but I wanted to wait for the right opportunity.
Yami Gautam -
Hope is the most exciting thing there is in life.
Mandy Moore -
Be smarter than other people, just don't tell them so.
H. Jackson Brown, Jr. -
It's unfair to think that we can do what we do with the intensity that we do it and expect injuries to not happen.
Daniel Cormier
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This has always been a small agency with a big mission. But these days, especially, we have to stand up every day, deliver value into the hands of small-business owners and get taxpayers the biggest bang for their buck so that we can help these job creators do what they need to do.
Karen Mills -
I would break a lot of cymbals. You whack the cymbals hard enough, and they will crack in half. Drums are not actually as sturdy as they look. They're actually somewhat fragile instruments.
Damien Chazelle -
The thing about Pablo is that he wasn't happy with what he had - just being the sixth richest man in the world. He wanted to be loved. He wanted to be accepted. He wanted to be President of Colombia; he wanted his kids to go to the same school as the Colombian elite. But he wouldn't be accepted by the elite.
Wagner Moura -
I'm very articulate when I wanna be. You wanna talk to me?
Ace Frehley Kiss -
He who is unable to live in society, or who has no need because he is sufficient for himself, must be either a beast or a god.
Aristotle -
I'd love to do a drama.
Jason Sudeikis
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The way I work, things are very nuanced; not everything is explained.
Barry Jenkins -
When I started writing seriously in high school, English was the language I had at my disposal - my Spanish was domestic, colloquial, and not particularly literary or sophisticated.
Daniel Alarcon -
James Ivory comes close to the actors for the first rehearsal. He more or less lets you direct yourself and then will only correct you if he finds it incorrect.
Leslie Caron -
I wrote most of 'Hello in There' in a relay box, which looks like a mail box, only bigger. Sometimes, it was so cold and windy on my mail route that I'd go inside the relay box and eat a sandwich, just to get away from the wind. I remember working on 'Hello in There' inside the relay box.
John Prine -
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
Michael Winterbottom