M. Leighton Quotes
Quotes to Explore
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At least I want to be making films that are somehow born out of me that are stories I want to tell. The challenge is figuring out how to do it where you can make them personal, yet still deliver to an audience a film experience that is satisfying and emotional, and that's what I'm trying to do.
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Each age has deemed the new-born year the fittest time for festal cheer.
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I was thinking about it: so many of my stories are about my family life, not about being related to a lot of famous people. That's my grandma, that's my mama, my daddy, my aunt, my uncle, my stepdaddy. I'd probably tell them even if they weren't well known.
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Renouncement: the heroism of mediocrity.
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I've always tried to stay behind the scenes, and I intend to keep it that way.
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Most of the animated films I watched, the emotions are all prepackaged like canned music, the hand actions, the sighs.
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Whatever I know how to do, I've already done. Therefore I must always do what I do not know how to do.
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I'm a professional geologist, an explorationist for oil. That's what I've done in my career, one that's culminated in - at least to this point - playing a part in finding the largest field in the last 40 years anywhere in the world. That's the Bakken field, which I believe will yield 24 billion barrels of oil in the decades to come, maybe more.
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My film knowledge is pretty shocking. I'm trying to correct that.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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People review my comic books. People review every article I write - 'The Atlantic' even publishes them. A great deal of the critique of 'Between the World and Me' was from a feminist perspective. bell hooks pushed back, among others. Some of that has value. Some of it does not. I try my best to separate the wheat from the chaff.
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Nothing is more confused than to be ordered into a war to die or to be maimed for life without the faintest idea of what's going on.
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I love researching, I love interviewing.
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All day long the door of the sub-conscious remains just ajar; we slip through to the other side, and return again, as easily and secretly as a cat.
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That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.
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I want to evolve each season. I never want to be one of those brands where people know what they're going to see. I always want an element of surprise. One thing I never want to do is copy what anybody else is doing. I have a signature, and it's very important to me to stay true to that.
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I've always just focused on the work, and I've just tried to be honest with the work. If the work speaks to people, fantastic.
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It's funny landing parts now where I'm somebody's mum. I remember the first time I was asked to play a mum. I was easily old enough, but because I didn't have any children, I thought, 'That seems really grown-up.'
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One of the first businesses of a sensible man is to know when he is beaten, and to leave off fighting at once.
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I'm just trying to find a good project. Work with a good director, someone I really admire. Find a good role.
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Dance was something I'd just done at my youth club, and I used to teach dance when I was 14 to 19, 20 years old. I had my own dance group, and then I got more into the acting stuff, and I started doing things for TV. And then I put that on pause, because I really wanted to focus on my real passion, which is music.
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Chicago is the only major city in the country where you can easily buy your way out of a murder rap.
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Happily ever after doesn't come easy. But for love, it's always worth the fight.
