C.D. Innes Quotes
Avant garde" has become a ubiquitous label, eclectically applied to any type of art that is anti-traditional in form. At its simplest, the term is sometimes taken to describe what is new at any given time: the leading edge of artistic experiment, which is continually outdated by the next step forward.
Quotes to Explore
-
I like the detail work of telling a story in small pieces, as is done in movie-making, and also the long leap of faith needed to see a theatre performance through each night. Both require focus and self-discipline.
-
Modesty means admitting the possibility of error, subsuming the self for the good of the whole, remaining open to surprise and the gifts that only failure can bring. There are many ways to practice it. Try taking up golf. Or making your own bagels. Or raising a teenager.
-
I know how to read people. When you grow up in a rough environment, you have to have a sixth sense.
-
In Japan, there is less a culture of preserving old buildings than in Europe.
-
I used to get criticized for doing a 'Bump & Grind' then turning around and doing a gospel song. But the truth is I'm glad I have a gift that allows me to switch lanes.
-
I like to keep my private life private.
-
I used to have the very standard worldview. I can easily identify with people who see computers getting faster and smarter, and technology getting more and more beneficial, without seeing the other side.
-
I'm happy pretty well anywhere on this big, beautiful planet.
-
My brother married young, and his is the best marriage I know.
-
'All in With Laila Ali' is educational, inspirational, compelling programming profiling individuals that have reached for the sky, pushed themselves to the limit and did things that you would think were impossible.
-
If I have to draw attention away from some hormone-induced acne on my chin, I put on a lot of mascara.
-
I had never really felt settled in Brooklyn. I think it had to do with growing up in New Jersey and being someone who her whole life wanted to live in the city, and the city meant Manhattan.
-
No one politician should be allowed to judge the guilt, to charge an individual, to judge the guilt of an individual and to execute an individual.
-
I'm going to show the difference between the champ and second place.
-
I don't recognize my former self. Like I'm on the outside looking in at my life. Who is that guy?
-
The most common criticism I've seen is that I write 'popcorn fantasy:' lightweight action-adventure. Some people call it that as they explain why they love it for exactly that reason. I'm cool with that, either way. I just nod and let it go.
-
Old age and sickness bring out the essential characteristics of a man.
-
Every 20 minutes you've got to have a bump, you've got to have a change in course, you've got to unsettle the audience. It can't be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn't let an audience feel too settled in.
-
My reward in life for growing up a little bit was that Mary Steenburgen came into my life, and we have been together for 19 years.
-
There are times when the only people you spend time with are the people in your team. That's hard, because I think, 'I'm a girl. I want to hang out with other girls. I just want to be a normal young woman.'
-
I always say that life is not easy for anybody. People hear about the young actors who have a rough life, but there are plenty of other kids who aren't actors who have a rough time, too, and I don't know if the ratio is any different.
-
I'm a big fan of unflinching drama and bold drama. If you shy away from dark subject matters, there's only certain places for TV drama to go. If there are shows that can break through that and be brave, those are the shows that I personally enjoy watching. I try and do work that I would watch.
-
Avant garde" has become a ubiquitous label, eclectically applied to any type of art that is anti-traditional in form. At its simplest, the term is sometimes taken to describe what is new at any given time: the leading edge of artistic experiment, which is continually outdated by the next step forward.
