Sue Wicks (Susan Joy Wicks) Quotes
Every year I try to keep in excellent shape and improve some part of my game. I play in the offseason overseas to keep my game tuned up and hopefully improve a little in some area.
Quotes to Explore
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That's the joy of getting to be an actor - getting to play all kinds of different roles and showing so many different sides of yourself.
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My dream part would be to play Mitt Romney's sarcastic black maid. We could call it 'Mammy & Me.'
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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If you get a guy that can play a couple positions, it helps you out a real lot.
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I had aches and pains when I played. No player is ever 100 percent, 80 percent, 85 percent. Guys that play 158 or 162 or 145, we are all in the same boat.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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Sometimes I rush my swing because I am so anxious to play well. In Cuba, the quality of the pitching is not the same as it is here. There you might find one or two pitchers at 94 or 95 mph. Here, every day I find several, and each pitcher who comes along throws his hardest stuff.
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I wanted to play Dracula because I wanted to say: 'I've crossed oceans of time to find you.' It was worth playing the role just to say that line.
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Spitfire asked me if I had a problem talking about Van Halen or Extreme. I really don't. There are people who are just going to want to know what it was like to play with Eddie.
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Sometimes I just crave to play in Shakespeare again and I know and love playing Orlando so much.
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I wrote my first play when I was eight.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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I tend to play the dangerous characters, the boyfriend, that sort of thing.
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I have never had the opportunity to play in England, so I know little about it.
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My first play was 'The Room', written when I was twenty-seven.
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I dare anyone to play like Charlie Watts.
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When you have 13 horns, and one is soloing, you have 12 people to play the richest, fullest chord you could ever imagine behind that solo.
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I like to play by my own rules.
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I have nothing to tell except travellers' stories, which are always tiresome, like the description of a play which was very exciting to those who saw it.
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It's just disappointing. I don't really have good answers. ... Maybe I will feel good about what the team has done at the end of the year. I don't feel good right now. The quality of our play hasn't been good for two games in a row. That's my measuring stick. You focus on the quality and the wins come.
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It's easier to be faithful to a restaurant than it is to a woman.
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I did modelling for a year, but then I always wanted to be an actress.
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Every year I try to keep in excellent shape and improve some part of my game. I play in the offseason overseas to keep my game tuned up and hopefully improve a little in some area.
