Uzodinma Iweala Quotes
War in Africa is hardly a new phenomenon, nor are voices telling its stories of terror and triumph. Yet some of the continent's most devastating conflicts - and the literature born from the experiences of their survivors - have often gone unnoticed in the West.

Quotes to Explore
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I have two main bass guitars, and my main bass is a four-string 1964 Fender Jazz, and I've named it Justine.
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I don't think I'd want a revival. I'm not doing a tribute to myself.
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A great sense of peace entered my body, and seemingly into every cell.
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You see what happens in college and high school games today - a three-point shot or a dunk. I think that's the reason that you see a lot of that in the pros today.
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A people's literature is the great textbook for real knowledge of them. The writings of the day show the quality of the people as no historical reconstruction can.
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I do films that I like. I have done comedy, romance, everything, and I always like to do it differently from the previous ones.
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One of the reasons I love writing for middle graders, besides their voracious appetite for books, is their deep concern for fairness and morality.
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Any New York group can come to L.A. and sell out every show, but an L.A. group who goes to New York might not do the same because the audience hasn't been introduced to the group.
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I didn't like playing with dolls; I didn't like getting dressed up. A lot of my friends and people I went to school with were into fashion and their clothes, so I lacked a bit of self-belief and confidence... I wasn't really comfortable.
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My dresses are designed to win, so going through it, I think about, what do I want to represent? So, definitely, Vera Wang has been an inspiration for me.
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There's no way I can represent for everyone. I can't represent for all women or all big women or all black women. It's important for people not to make celebrities their source of who they should be in life. I can't take on the pressure of being perfect. Nobody is.
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I'd like to be curvier.
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Being gay immediately placed me outside the values of the society I was growing up in. Apartheid was a very patriarchal system, so its assumptions seemed foreign to me from the outset. I've always had the advantage of alienation.
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Lizz Wright is my favourite singer. Her voice moves me and takes me to another place. She also grows her own food, and that inspires me.
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We are a breathtakingly alienated people... One of my props is the world's largest underpants. I've had the president of Costa Rica in my underpants with me.
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The FA Cup for all the fans does mean something special.
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I'd follow Ben Hogan and Byron Nelson anywhere.
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We made air attacks on the Japanese anchorage, sinking and damaging several vessels. However, the Japanese were alerted to the fact that American carriers were nearby.
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If I weren't a Jew (in the sense in which I use the word) then I wouldn't be an artist, or at least not the one I am now.
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Too many of us seem far too fond of narratives of our powerlessness, maybe because powerlessness lets us off the hook... But we don't need everyone on board; we don't need one magic person in office; we need ourselves. To act. It's the wind, not the weathervanes.
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'Matterhorn' is my metaphor of the Vietnam War - we built it, we abandoned it, we assaulted it, we lost, and then we abandoned it again.
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The unraveling that I experienced much earlier in the Vietnam war than many people think, was due to the immediate foxhole experiences. But once I got back home and began to follow the war on TV and in the press I began to see this enormous con game - I can't think of any other word for it - that government and the military was foisting on the American people, especially on the young men of my generation, and even worse, the young men of my generation who weren't particularly economically or intellectually privileged.
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I could not make the war seem real for myself. Even though I had heard about the Nazi bombing of cities in Spain, I couldn’t imagine an air attack on unarmed civilians. Remember, there were still horses on the roads of rural Germany at that time. Very few people understood what modern war would be like.
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War in Africa is hardly a new phenomenon, nor are voices telling its stories of terror and triumph. Yet some of the continent's most devastating conflicts - and the literature born from the experiences of their survivors - have often gone unnoticed in the West.