Susan Griffin Quotes
But still, the other voice, the intuitive, returns, like grass forcing its way through concrete.
Quotes to Explore
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No one's gonna give a damn in July if you lost a game in March.
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I don't think the way I portray mother's and son's relationships has anything to do with my age or generation. It has to do with what I lived with my own mother and what it's transformed into and the point of view it has given me on mothers and women. The way I was brought up with women. It's all about personal background.
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Gosh, I couldn't even talk right until I was about 6 years old or something like that.
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Women are, in my view, natural peacemakers. As givers and nurturers of life, through their focus on human relationships and their engagement with the demanding work of raising children and protecting family life, they develop a deep sense of empathy that cuts through to underlying human realities.
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I really woke up one morning and said, you know, 'I haven't seen a good film about the American Revolution. And all the ones I have seen haven't been successful, but I'm going to make a successful one.' Well, I wasn't able to do that.
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I completely agree with feeling the need for or the benefits of being pushed and of being directed on a project and collaborating.
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I feel like fashion and music relate to each other in a lot of ways. I always had to be creative: I'm a very creative person. I always liked making stuff. Apart from music, I always liked making clothes. You're able to express yourself.
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Commercial hit films such as 'Bajrangi Bhaijaan,' 'Talaash,' and 'Kick' had big superstars to sell them; that may not have been the case if it were just me.
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I couldn't really take a girl from Berlin to live in Leeds. I love it here. I miss the Yorkshire sense of humor and things like bitter and Yorkshire puddings, but I can still get my hands on salt 'n' vinegar crisps.
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I'm from a generation of fantastic actresses. It's a big pool of really wonderful actresses, and so many of them we never even get to see on the screen anymore.
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I'm just being normal. A normal woman. Well, I don't know what a normal woman is, but I'm a woman and I'm Yoko and I've never changed that.
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As American freemen, we cannot but sympathize in all efforts to extend the blessings of civil and political liberty, but at the same time, we are warned by the admonitions of history and the voice of our own beloved Washington to abstain from entangling alliances with foreign nations.
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I drive a big Dodge truck. I drive American cars.
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I always do my own stunts, as much as possible. I'm a little stubborn about it.
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I stopped doing standup because it stopped being fun. And the reason it stopped being fun was it was harder to write - and this was before the Internet - it was harder to write new stuff. It had gotten so crazy.
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When you're a fashion photographer, you must inspire a dream.
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I'm constantly pitching one episode where we see life through Castle's eyes. I think Castle's just a little off as far as his perception goes. A very, very clever man, but I want to see the world as Castle sees it - kind of a rose-colored glasses, all the women find him irresistible, all the guys find him super cool and do whatever he says.
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I grew up on what everybody called a plantation - but believe me, it wasn't a plantation. It was just an old farm. I grew up with a lot of black people working in the fields, and it was during the Depression between 1930 and the war, so we were all poor - black and white.
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If people have to tell you how successful they are, they really aren't that successful.
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It's not easy to shout against real elements. The elements are big, and the human voice is very small.
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There was a disturbance in my heart, a voice that spoke there and said, I want, I want, I want! It happened every afternoon, and when I tried to suppress it it got even stronger.
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I really think there is a very large distinction between synthetic and naturally occurring drugs. ... I think that these plants 'take people' as much as people take the plants. ... When you take one of these ancient, ancient hallucinogens you are locking in to the morphogenetic fields of all the people who ever took it.
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I didn't come east of the Mississippi for the first time in my life until I was 26 years of age, but I knew. I read magazines, I listened to radio, I watched television. I knew there was something out there, and I wanted a part of it.
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But still, the other voice, the intuitive, returns, like grass forcing its way through concrete.
