Michelangelo Antonioni Quotes
Quotes to Explore
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When I was 26, I got offered the Connecticut job, but the ABA started, and I thought I could still play.
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The first show I worked on was 'In Living Color.' I think 'The Daily Show' was the culmination of having that point of view - being able to look at this third rail in our society.
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I can't go to war with paparazzi.
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The question for politicians here is fundamental: You can read the polls, or you can change the polls. Stand up on the things you believe in.
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Kitchens are so important. They're the heart of everything.
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Long-, medium- and short-grain rices differ in the amount and type of starch they have.
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Someone once said about me that I talk to everyone the same, no matter what age they are. I don't see kids and adults. I see everyone the same.
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Hedge funds, private equity and venture capital funds have played an important role in providing liquidity to our financial system and improving the efficiency of capital markets. But as their role has grown, so have the risks they pose.
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The government, whether state or central, is elected. That means we have a responsibility to elect the right kind of leaders.
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My hair is such a statement that it's like a neon sign asking for trouble.
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The world has crafted a beautiful balance of collective action - common but differentiated responsibility and respective capabilities.
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I'm probably more comfortable inside a Marine Corps rifle company than I am anywhere in my life.
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I'm trying to be myself more and more. The more confidence you have in yourself... the more you realize that this is you, and life isn't long. So get on with it!
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I'm very much a gentleman in what I do.
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I spent years working in low-budget horror films. When you've done 'Cannibal Women in the Avocado Jungle of Death,' you can handle anything!
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We were all up there, Dick and Mary and Rosie and Larry Mathews and I looked around and I said, inadvertently, 'Look at this, we could do a show,'
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My ancestors are Rajputs from Jaipur, a lineage of the royal family.
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Oh, when I was a kid, I was poor. Christmas, I got no presents. Well, there was one Christmas, on our front lawn - Prancer and Dancer - they dropped off a little something.
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The scene that has raised the most objections in 'The Interview' is at the very end, when Kim's head dissolves into flames. To me, it feels gratuitous.
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I have control over every single frame on Blu-ray. If I want a scene bluer, I get that scene bluer. Originally, there was some fluctuation with the prints. If you made a thousand, or a few thousand prints, there is no control over any of that. But now I can make a master using the digital process.
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A scene has to have a rhythm of its own, a structure of its own.
