Michele Lee Quotes
My parents were New Yorkers, and I was conceived in Los Angeles. My father was a makeup artist to Clint Eastwood and Richard Chamberlain.
Quotes to Explore
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I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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In 2016, makeup has become an incredible passion and hobby for men and women, but it hasn't become mainstream.
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My parents were divorced and I would spend weekends with my father.
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My father was always playing the piano. He played all kinds of music - Gershwin, all kinds of stuff.
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No one can be an artist without a rich inner life.
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It's really easy with makeup to look like you're trying too hard, like a clown. That's not what you want!
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Our first manager really pushed that we not sell our publishing rights, which is one of the earliest things an artist will do: They'll sell in order to get a cash advance.
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My first name - I have no middle name - was chosen by my father, as he told me, on that solitary walk in the forested hills. He selected it from a verse of the seventh chapter of Isaiah; there was no Immanuel among our ancestors known to him.
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When I'm in show mode, I can't even think about putting on makeup; I just have to be centered.
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The trials my father went through were things most young black males have to go through. There was nothing he shielded from me, because it doesn't matter how you grow up, those who oppress will oppress. It's all completely relatable; everyone feels NWA.
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Though ambition in itself is a vice, yet it is often the parent of virtues.
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I have no regrets. I wanted to raise the kids and be a present father. When I developed a movie, I was gone for a year. That didn't really work for me. That isn't fair to make these life-forms and then disappear.
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I have to say I have an incredible musical education because of my father.
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I don't write from dreams because I don't remember mine, but I had a fragment of an image left about twins, whose father was telling them how their lives were going to go for the next eight years. I wrote a scene about that, and then another and then another and then another, and after five months I had 732 pages.
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Rashness is the faithful, but unhappy parent of misfortune.
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My father was haunted. He was bad at conjuring small talk, he watched very little TV, because once Conscious, every commercial, every program must be strip-mined for its deeper meaning, until it lays bare its role in this sinister American plot.
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I think so much of my life had me growing up under extreme poverty and really challenging conditions, with having the police in my neighborhood and seeing the impact of over-incarceration. Having a father love up on me and remind of who I was, and my strength against those conditions, really shaped why I'm an organizer today.
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It was really important in my relationship with James Caan that I understood the relationship between the family and the father.
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I've never considered myself a celebrity or even part of the entertainment business. I'm a cooking teacher.
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Culture hides more than it reveals and strangely enough what it hides, it hides most effectively from it's own participants. Years of study have convinced me that the real job is not to understand foreign culture but to understand our own.
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I don't think of myself as a gearhead or a motorcyclist. I'm not that young, and this is like another life of mine. But the people I know from that era think of me that way.
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I think it'd be great to own a fun concept store with my friends and just sell books and records.
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You know you're on the Senior Tour when your back goes out more than you do.
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My parents were New Yorkers, and I was conceived in Los Angeles. My father was a makeup artist to Clint Eastwood and Richard Chamberlain.
