Wentworth Miller Quotes
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I'm very pleased with being a part of the Bean Pole family. It's a relationship that makes sense to me. I'm very pleased to have my name associated with Bean Pole Jeans.
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I have very high expectations of myself. I'm a very competitive person but competitive with myself. I want to be the best that I can be and if that means that I'm eventually better than everyone else then so be it.
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I think it's necessary when you're dealing with a dark show that has explosion and violence to have defined moments of lightness and humor, even romance. It's important, and it deepens the character, of course.
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As someone who has enjoyed visiting Russia in the past and can also claim a degree of Russian ancestry, it would make me happy to say yes. However, as a gay man, I must decline.
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An actor's job is to embrace emotions and situations that in real life we spend all of our time running away from.
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I think this is what college is all about: self-examination and dealing with those questions of "Who am I?"
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I cannot in good conscience participate in a celebratory occasion hosted by a country where people like myself are being systematically denied their basic right to live and love openly.
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I broke my nose in gym when a ball hit me. I took a girl to her debutante ball the next week wearing a tux and a big, honking bandage. Not the romantic night she had in mind.
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My character in 'Prison Break' needs to be formidable. In reality, I'm not very tough at all.
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I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous - it happened so quickly.
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You're confronted with the quandary: do I grind things to a halt? Ideally you would, but I have better things to do than educate people.
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One of the traps of auditioning is walking into that room feeling as though you're a guest in someone's house, and being really careful not to spill wine on the carpet. What you have to do is walk in there as though you're the host.
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In my career as an actor, there is a catchphrase that Scofield always says often in regards to his brother, 'Have a little faith.' In my own career as an actor, there were times when I was the only one who believed in myself in the face of the odds.
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The backstory to anyone of mixed race is a lifetime spent being incorrectly perceived and choosing either to allow that misperception to continue or to correct it, so I am aware of identity and race as being much more fluid, I think, than someone who is "purely" one thing or the other. And acting does challenge me to address those particular issues.
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I'd like to go back and revisit the Flash/Captain Cold relationship, because that to me has been the heart of it all along. My impression is that The Flash is a show about a boy's journey into manhood. For the Flash character, there is a variety of male models presented to him, and Captain Cold is one of them.
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It's the way the business works, you're not just an actor, you're a diplomat and a publicist and a politician, and there are certain expectations.
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I didn't come to Hollywood to get on magazine covers or start my Porsche collection or to enjoy that kind of lifestyle, to go to the right parties and meet the right people.
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On Flash, I thought of myself as a spice character; come in, do a little dance, and I go.
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If I were to wait only for roles that clarify my racial makeup, I'd be waiting for a very, very long time.
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I think what you learn, working on a film or TV set, is how to tune certain things out. You've got 60-100 people swirling around you, each of them with a very important job to do.
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My family put a lot of emphasis on homework, so there weren't too many comic books or video games for me, when I was growing up.
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I've been spared to a large extent the business end of the race stick.
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I feel as though we're living in a time where there is very little distinction paid between the personal and the professional.
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I worked with the same trainer that worked with Denzel Washington in THe Hurricane. It was three months of training, five days a week, 4 to 5 hours a day. This was followed by a month of choreography.