Cameron Mackintosh Quotes
Quotes to Explore
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I guess I have a talent for humiliation, a place within me that experience can't reach, which is terrible in real life but something that comes in handy in writing. It seems as though humiliation has become a career for me.
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Two things form the bedrock of any open society - freedom of expression and rule of law. If you don't have those things, you don't have a free country.
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Everybody's an artist. Everybody's God. It's just that they're inhibited.
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The economics of baseball are the big problem. The big clubs make a lot of money and the little clubs don't.
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The collusion of big business, big labor, and big government threaten the spirit of small business that makes America great.
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I just didn't expect an acoustic version of Rock'n'Roll All Nite.
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The guitar is such an incredible instrument; it plays classical, flamenco, jazz, country, bluegrass, rock, acid, blues. You'll never see a clarinet playing Black Sabbath. But you will see a guitar in a clarinet band playing rhythm. It is the most popular instrument in the world; it is the one everybody loves.
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I was an expert horseman.
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It is important to expect nothing, to take every experience, including the negative ones, as merely steps on the path, and to proceed.
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I guess you could say it's always been my destiny to be a performer.
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I was this kid who had been raised in New York, and now all of a sudden, my mother decided that she was a Jewish divorcee and therefore she should be living in Miami Beach.
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I never pile a plate to the point where it overflows. I'd rather have a small plate with small portions and then get up for more if I'm still hungry.
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Feeling really safe as an actor is not a great thing because you're not learning or growing.
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The music I love listening to is more of the Jack Johnson, Ben Harper, Dido, Jewel, Nora Jones, Joss Stone, a bit more of that organic live-instrumentation feel.
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I was a dancer first, which made me realize how much I loved performing.
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This love is silent.
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I think personal beliefs of everybody shape everybody.
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The trains were the beating heart of the New York graffiti scene.
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Metro never really wanted me for anything. I was always the one who happened to be free when their first choice was not.
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There will be mental worries with the long jump before Rio, but I know I can get through it. It's just getting my confidence back. I know I have a big jump in me.
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I played ping-pong with Prince. That's pretty surreal. He gave me a lesson before we played; like, he's great. He's a master at it, so I took the free lesson.
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As an actor, you have to give up all control to the director. He's the boss, and has all the power. I'm a control freak, so that's really hard for me.
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I promised myself a long time ago that I would lead an interesting life.
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What musicals need is a new me.
