Cameron Mackintosh Quotes
Quotes to Explore
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I guess I have a talent for humiliation, a place within me that experience can't reach, which is terrible in real life but something that comes in handy in writing. It seems as though humiliation has become a career for me.
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Two things form the bedrock of any open society - freedom of expression and rule of law. If you don't have those things, you don't have a free country.
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Everybody's an artist. Everybody's God. It's just that they're inhibited.
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The economics of baseball are the big problem. The big clubs make a lot of money and the little clubs don't.
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The collusion of big business, big labor, and big government threaten the spirit of small business that makes America great.
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I just didn't expect an acoustic version of Rock'n'Roll All Nite.
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The guitar is such an incredible instrument; it plays classical, flamenco, jazz, country, bluegrass, rock, acid, blues. You'll never see a clarinet playing Black Sabbath. But you will see a guitar in a clarinet band playing rhythm. It is the most popular instrument in the world; it is the one everybody loves.
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I was an expert horseman.
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It is important to expect nothing, to take every experience, including the negative ones, as merely steps on the path, and to proceed.
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I guess you could say it's always been my destiny to be a performer.
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I was this kid who had been raised in New York, and now all of a sudden, my mother decided that she was a Jewish divorcee and therefore she should be living in Miami Beach.
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I never pile a plate to the point where it overflows. I'd rather have a small plate with small portions and then get up for more if I'm still hungry.
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Feeling really safe as an actor is not a great thing because you're not learning or growing.
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The music I love listening to is more of the Jack Johnson, Ben Harper, Dido, Jewel, Nora Jones, Joss Stone, a bit more of that organic live-instrumentation feel.
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I was a dancer first, which made me realize how much I loved performing.
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This love is silent.
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I think personal beliefs of everybody shape everybody.
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The trains were the beating heart of the New York graffiti scene.
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I got that nickname my first spring training camp with the Expos in 1974. Tim Foli, Ken Singleton and Mike Jorgensen started calling me 'Kid' because I was trying to win every sprint. I was trying to hit every pitch out of the park.
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You know, grieve your wife, this is an impulsive thing and you have no idea the kind of trouble you're getting yourself into it. And of course he doesn't listen to me and he adopts this child.
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If my client calls me and says, 'I'm going to a friend's premiere,' I'll say, 'Come over and let's do something cute.' And I won't bill them for that.
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Dating is kind of hard. Like dinner or something like that. Like a forced awkward situation is very strange. Especially for me, for some reason.
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What musicals need is a new me.
