Wesley Borland (Wes Borland) Quotes
I almost shouldnt be in Limp Bizkit, its like I got matched in the factory with the wrong band.
Quotes to Explore
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The most important thing is that it's much more fun to play in a band than to be in an audience in a club. That's the main thing I think, that you can do it.
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Legislators should demand that we not go through the entire pension reform debate just to apply a band-aid when this patient needs a quadruple bypass.
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There seems to be an inclination among rock musicians to be very carefree with money, but I negotiate the best flight and hotel deals on our tours to maximise the band's income - I don't want too see too much taken off the top line.
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All the art for Tool is done by the me and the band.
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Sure, we've had our fair share of ups and downs, but I don't know if we've had more than any other rock band... we just have a way of getting ourselves into hot water.
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For a band like us tracklisting is a massive, massive task.
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I had a blast on tour with Little Big Town. We got to play some beautiful rooms around the country - some really amazing old theaters. And it was just cool to see a band that's been together for so long.
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Obviously any band, any group, someday is not going to be together anymore. That's the truth.
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Their eagerness for the big-band music and their ability to grasp the essence of it made me realize that today's generation has not been properly exposed to the big-band sound.
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I think The Doors are one of the classic groups, and I think we're all tempted to feel like the time in which we grew up was somehow special, but I really do believe that there were two golden eras in music: The Forties and Fifties of big band, jazz and swing, and the Sixties and Seventies of rock. To me, they're really unparalleled.
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My mom actually had a band called Six Pack - even though there were seven of them - who went around Chicago performing popular songs. Her voice was like Gladys Knight mixed with Aretha Franklin.
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'Aqualung' marks the point at which I had the confidence as a songwriter and as a guitar player to actually pick up and play the guitar and be at the forefront of the band. It's also the album on which I began to address religious issues in my music, and I think that happened simply because the time was right for it.
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If our kids want to do music, they are going to have to have a hard row to hoe just like any other band under the sun, and they're going to have to want it more than anyone else.
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I consider the guitar a tool for the most part. I do pick up the acoustic now and then, I certainly don't have any routine. Usually the only time I practice is when the band gets together. Hendrix has always been one of my favorite players, but I was a sucker for Nugent in the late 1970's.
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I was in this public high school in Princeton, and it had this topnotch jazz program - if you were a musician of any kind of caliber, your holy grail was to be in that orchestra. It was that claim to fame of the school, of the town, other than the university. But it was better than the university band.
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I was inspired by a lot of people when I was young. Every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.
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In a band that works out well, everybody has a certain role to fulfill.
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I didn’t quit that band because I wanted to. I quit that band because I had to. Because when people give you an ultimatum about your family, what are you going to do? But the problem was no one was being truthful at the time.
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You make one solo album, and some people swear you're about to leave the band or there are creative differences.
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When I did the album for 'When Harry Met Sally,' I found myself out there in front of this big band, which I had no idea how to do, and they wiped the floor with me. It's a very specific skill, and I didn't know how to do it.
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I think entrepreneurs really appreciate directness and honesty, coupled with empathy.
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I am blessed with a good metabolism, and as long as I work out, carbs don't add to my weight. If I need a leaner, meaner look for a film, I go off carbs for a bit.
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The fact that I was taking naps in churches, in between takes of the [Ordinary World], and there was that guerilla style of filmmaking, I felt more at home with that.
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I almost shouldnt be in Limp Bizkit, its like I got matched in the factory with the wrong band.
