Michelle Williams Quotes
One of the best things - and something I'm grateful for every time I walk onto a film set - is my six and a half years on Dawson's Creek and the experience it afforded me in how to get comfortable with the camera.
Quotes to Explore
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I look at 'Death Proof' and realize I had too much time.
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Freedom is never granted; it is won.
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There are films like 'Interstellar' where you cannot replicate the experience of seeing it in IMAX - it's an amazing film presented in a spectacular way. It really is an experience, like going to Disneyland, and you can't replicate that by watching home videos of going to Disneyland.
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Throughout my life, I have valued relationships far more than the professionalism.
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I like my house to be unique to me. Sure, I've bought plenty of things out of a catalog, but the way I put them together in my home is special. You might have bought your sofa at a major home decorating store, but the rug you found at the flea market is so unique, it takes your room from 'carbon copy' to 'simply yours' in no time.
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I always like to sing barefoot.
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All the musicians I loved growing up were men. I loved Leonard Cohen, Mick Jagger. I loved Alex Turner from the Arctic Monkeys. Even today, I love Van McCann from Catfish and the Bottlemen and Matt Healy from The 1975.
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It's not ideal to always be one eye on the Blackberry and two arms around my children. For the sake of mothers out there who don't have the Blackberry but do have the children and are hoping someone will be raising their voice on their behalf, it's a great privilege.
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They're not shooting me for deserting the United Stated Army – thousands of guys have done that. They're shooting me for bread I stole when I was 12 years old.
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What nourishes us at home and in school is what inspires us. When we get awareness and learn about the great potential that we all human beings have, we are able to discover our leadership.
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I am fighting my natural body shape to do what I do.
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No characters in 'Stay Close,' including the leads, are black and white. I want them to be grey. I think that makes for a much more interesting reading experience, something that will stay with you a little bit longer.
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But God, who is immortal, has no need of difference of sex, nor of succession.
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Japan is the largest creditor country in the world, so we have made contributions to the stability of international markets and we want this IMF meeting to confirm that we will continue to contribute.
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We talking about revolution because that's the era that you're caught in.
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You can't force something like that. But we have encouraged our audience, because we avoid the confrontation of regular rock concerts: us up here, you down there. Instead, we're looking for interaction.
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I started wearing high heels when I first worked with Mario Testino. He is tall; I had to be at his height. And I have never stopped since then.
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But nowadays hymns are the norm, because people don't have much else to sing.
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I felt in need of a great pilgrimage, so I sat still for three days and God came to me.
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The Conquest is not a film about Nicolas Sarkozy - it's a film about political conquest. It's a Shakespearean expression, where we have all the elements of a drama, both political and personal at the same time. The decors and the costumes are all based on real photos - I wanted to be as close to reality as possible. Nicola Piovani's theatrical music gives a distance that's almost Chaplinesque, there's something quite funny. There's no imitation, no caricature, no parodie - it's realism with a distance where the dialogues are often quite funny.
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I think auditions are set up for failure because they're not really the set experience. There's no time to develop the character. You're just looking at someone... if someone's really good in an audition, sometimes they're not good in the film. It's something you learn when you're doing short films. It's the same way that some people do well at taking tests and some people don't. But when you're on a long-term filmmaking process it's a completely different feeling.
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One of the best things - and something I'm grateful for every time I walk onto a film set - is my six and a half years on Dawson's Creek and the experience it afforded me in how to get comfortable with the camera.
