Kat Graham Quotes
'Roxbury Drive' was the street I grew up on as a little kid, and it was the street that I first listened to records on, and where I actually really first fell in love with music.
Quotes to Explore
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I really loved making 'Love, Nina.' I was in every scene, which was amazing. Bloody hell, what a job!
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I love films that show people in a way that's so real it's almost unsettling, and that's what really inspires me because I write about people. I write about people that I know, so I want to portray them and portray myself in a way that is unapologetic.
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I started modelling when I was 13, so I learned a lot of things. I actually love doing make-up on other people, too.
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Suffering passes, while love is eternal. That's a gift that you have received from God. Don't waste it.
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People in love don't see gender, colour or religion. Or age. It's about the other person, the one that you love and who loves you. You don't think of them in terms of a label. You just go with your heart.
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I think, in the early years, my biggest influences would have been... Daft Punk was a huge one for me, I bought their main record when I was nine; at a young age, I was into music. The Prodigy, Gorillaz were big ones.
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I was influenced when I was younger by the cartoon movies that Disney put out, like Cinderella and what not. I watched those movies over and over when I was younger and the music is ingrained into my head. Nowadays, I'm still humming the tunes. It taught me the fundamentals.
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Being 16 years old and getting an electric guitar is never going to get old. There's always going to be kids making music. There's always going to be kids in bands.
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I know someone from growing up who is in jail right now for the rest of his life, but he was one of the sweetest people I ever knew.
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I love sparkly eyes for the holidays, especially New Year's Eve.
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I think rap music is brought up, gangster rap in particular, as well as video games, every other thing they try to hang the ills of society on as a scapegoat.
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I love Vegas. It's like going to Disneyland.
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I was bringing the whole music, hip-hop, art, break dancing and urban cultural thing to the downtown table.
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Artistic development made me who I am. Somebody took the time to help me find what it is that works for me as an entertainer and who I am as a music maker.
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You don't want to love - your eternal and abnormal craving is to be loved. You aren't positive, you're negative. You absorb, absorb, as if you must fill yourself up with love, because you've got a shortage somewhere.
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For me, genres are a way for people to easily categorize music. But it doesn't have to define you. It doesn't have to limit you.
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I love hot yoga. I go to a sculpt class with weights. That's really good for the core and it's obviously super hot. I love cardio bar. I'm not a big gym fan, so I like to go to classes.
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Sometimes I just crave to play in Shakespeare again and I know and love playing Orlando so much.
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I have never stopped playing music.
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I do feel almost violent when I'm watching things that I don't think are good enough. I get furious for the audience. I want to say to them, 'This play is not supposed to be like this. They've got it completely wrong. You should be electrified by this.'
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I could become very rich in Guatemala but by the low method of ratifying my title, opening a clinic, and specialising in allergies. To do that would be the most horrible betrayal of the two 'I's' struggling inside me: the socialist and the traveller.
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My novels are about the European reality, not about chases. You want chases, get somebody else's books.
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Our government just won't enforce civil rights laws. The laws will be ignored.
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'Roxbury Drive' was the street I grew up on as a little kid, and it was the street that I first listened to records on, and where I actually really first fell in love with music.
