Susanna Kearsley Quotes
The best way to show an emotion is not through a character's words, but their smallest expressions - to take what an actor would visually do and try putting that down on the page for the reader to 'see.'

Quotes to Explore
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I think 'North by Northwest' and 'Rope' and Rear Window' and 'Psycho' are on my list of favorite all time movies. I just think his kind of command as a director was almost unparalleled, and I feel like in certain ways the sort of character-based thriller owes more to Hitchcock than anyone.
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Mining is a dangerous profession. There's no way to make a mine completely safe: These are the words owners have always used to excuse needless deaths and the words miners use to prepare for them.
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What people love about Santorum is he is who is he. He speaks his words. He loves God. He loves his country, and he loves gays.
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In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
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The past could liberate or imprison - it creates a nation's character, provides the nourishment or the poison a people imbibe in their very marrow.
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Every actor has to love and loathe the character he plays.
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Money takes wings. The only thing that endures is character.
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A national festival is an occasion to refine and rebuild the national character.
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It is very hard to separate one's self from a character. Sometimes the people closest to me have to be very understanding.
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The interesting thing about my character Sylar is that my strengths as an actor seemed to go completely against the shape of a character in the shadow.
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When you're writing first person, all I can see and tell as the author is what that main character can see.
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I prefer to be favourites on the pitch; not with words.
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I often feel like a character actress trapped inside the mean, aging Barbie's body.
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I feel really lucky to have had 'War and Peace' as my first big telly job. I was playing this incredible character, and we were shooting in Catherine the Great's palace near St. Petersburg in the winter, when the river was frozen. It was a dream. I still can't believe it. I wanted to soak up every last minute.
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One match that really sticks out for me, there's a bunch of matches with all the guys that I worked with. For me, when I got in the ring, I approached it as being real because I was a real character. I didn't have a gimmick name; I didn't have a gimmick finish.
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When you are developing a character you have to bring so much of yourself to the role.
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I love that Barry Seal is working for the CIA, and he's an awful liar. It just goes to how honest this character is at the end of the day, even as he rips off the country and the world to the tune of becoming one of the wealthiest men in America. There's an innate honesty, a purity to him.
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But really, for the most part - doing a prequel is great because you do have room to kind of free this character and how they got to where they are instead of being a slave to exactly what the previous actor did.
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New technology creates a new marketplace of words, creating totally new words and changing the meaning and application of existing ones. In doing so, it has a potent opportunity to create new misconceptions and confusion.
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When you're crafting a character, it's good to have a lot of influences.
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It's a sad indication of where Washington has come, where policy differences almost necessarily become questions of integrity. I came to Washington in the late '70s, and people had the ability in the past to have intense policy differences but didn't feel the need to question the other person's character.
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Dear precious Diary, I am baptizing you with my tears. I know we have to leave and that one day I will even have to leave my father and mother’s home and go into a home of my own. But ever I will take you with me.
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I read so much about men who aren't what they seem, and particularly stories written by women who found out their husbands had a slew of secrets they knew nothing about.
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The best way to show an emotion is not through a character's words, but their smallest expressions - to take what an actor would visually do and try putting that down on the page for the reader to 'see.'