Susanna Kearsley Quotes
The best way to show an emotion is not through a character's words, but their smallest expressions - to take what an actor would visually do and try putting that down on the page for the reader to 'see.'
Quotes to Explore
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I think 'North by Northwest' and 'Rope' and Rear Window' and 'Psycho' are on my list of favorite all time movies. I just think his kind of command as a director was almost unparalleled, and I feel like in certain ways the sort of character-based thriller owes more to Hitchcock than anyone.
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Mining is a dangerous profession. There's no way to make a mine completely safe: These are the words owners have always used to excuse needless deaths and the words miners use to prepare for them.
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What people love about Santorum is he is who is he. He speaks his words. He loves God. He loves his country, and he loves gays.
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In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
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The past could liberate or imprison - it creates a nation's character, provides the nourishment or the poison a people imbibe in their very marrow.
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Originality is not seen in single words or even in sentences. Originality is the sum total of a man's thinking or his writing.
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We are victims of the post-Enlightenment view that the world functions like a sophisticated machine, to be understood like a textbook engineering problem and run by wonks. In other words, like a home appliance, not like the human body.
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Every actor has to love and loathe the character he plays.
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Money takes wings. The only thing that endures is character.
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A national festival is an occasion to refine and rebuild the national character.
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As someone who gets nervous in silences, I spill words rather than really think.
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It is very hard to separate one's self from a character. Sometimes the people closest to me have to be very understanding.
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The interesting thing about my character Sylar is that my strengths as an actor seemed to go completely against the shape of a character in the shadow.
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There was a point where I was making four movies a year. I was always on a set. I had no stories to tell. I was feeling empty. My life was just luggage and hotels and from set to set, from character to character. And one day, I said, 'And where is mine?' You know? And the moment I started to feel that fear, I stopped and I slowed down.
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When you're writing first person, all I can see and tell as the author is what that main character can see.
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I prefer to be favourites on the pitch; not with words.
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I often feel like a character actress trapped inside the mean, aging Barbie's body.
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I feel really lucky to have had 'War and Peace' as my first big telly job. I was playing this incredible character, and we were shooting in Catherine the Great's palace near St. Petersburg in the winter, when the river was frozen. It was a dream. I still can't believe it. I wanted to soak up every last minute.
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One match that really sticks out for me, there's a bunch of matches with all the guys that I worked with. For me, when I got in the ring, I approached it as being real because I was a real character. I didn't have a gimmick name; I didn't have a gimmick finish.
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As a professional athlete I can tell you I feel every single emotion and not one of them ever helped me in a fist-fight before.
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Their style emphasized four bedrock principles: Surprise Aggressiveness Deception The leader’s personal presence in the battle.
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If you find diseases before they've really emerged, you can control them early on, before you get a major epidemic.
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A distinction has been made between acuteness and subtlety of understanding. This might be illustrated by saying that acuteness consists in taking up the points or solid atoms, subtlety in feeling the air of truth.
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The best way to show an emotion is not through a character's words, but their smallest expressions - to take what an actor would visually do and try putting that down on the page for the reader to 'see.'
