Fran Drescher Quotes
If I go to a concert or sporting event I usually go in a VIP entrance. And leave the same way.
Quotes to Explore
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I think comedy has evolved like every art form, and people probably do less standing around and telling jokes, and more things that have to do with reality.
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It is a great piece of skill to know how to guide your luck even while waiting for it.
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I always point out to my Passover guests that the Hebrews were not living in isolation. They were at the crossroads of several great, elaborate cultures with their own mythology and religion and art and architecture and cultural belief. In fact, so many of the mythologies of the world describe the same events, just from different points of view.
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With the Jews, the questions are always open; we're always questioning. I love that questioning tradition.
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Peer pressure is something everyone will face in school. You have to really go by what you think is the right thing to do. Turn to the friends you trust the most when you are put in a compromising situation. If your friends are making the wrong decision, then turn to your parents.
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I love the way capitalism finds a place - even for its enemies.
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The Islamic method of waging war is not to kill innocent civilians, but it was Christians in World War II who bombed innocent civilians in Dresden and dropped the nuclear bomb on Hiroshima, neither of which were military targets.
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I'm a wuss - a complete wuss!
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Now that mobile phones and the internet have altered the epistemic selective landscape in a revolutionary way, every religious organisation must scramble to evolve defences or become extinct.
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When I was really young, I wanted to grow up and be the sun. Which shows an early penchant for ambition or narcissism or grandiosity or delusion - all of which are bellwethers for becoming a writer.
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I'm happy to say that I'm a lesbian in the world. I know there are people who don't want to be called women comedians, but I think it gives a path to the fact that we live in extremely patriarchal times.
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The mind is exercised by the variety and multiplicity of the subject matter, while the character is moulded by the contemplation of virtue and vice.
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He hits the ball a long way and he knows how to win.
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I have always wanted to work with Lingusamy, as he is a master of commercial cinema. I have always admired his etching of female characters.
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You know, we have to take these characters - who, granted, have their separate personalities but, on a lot of levels, are pretty two-dimensional - and make them into people with flaws, with insecurities.
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I think a smart person today realizes that you have to be part of the art films that are done just for the sake of the art.
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I've been trying to pinpoint what keeps drawing me back to the Gulf of Mexico, because I'm Canadian, and I can draw no ancestral ties.
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One of the things that I really like about young adult fiction is that you can explore the relationships between teens and their parents. I definitely think that teens are a product of their parents. You either end up just like them or you consciously make the decision to be unlike them.
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We're constantly making choices about the way we spend our time. The issue is not between the good and the bad, but between the good and the best. So often, the enemy of the best is the good.
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It was a superb agreement to end a war, but a very bad agreement to make a state. From now on, we have to part company with Dayton and try to build a modern democratic state, for which I have tried to lay the foundations.
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You see and work with many of the same people over and over again; they are all specialists in what they do. I could never do their jobs, and they say they wouldn't know how to start to do a warm-up.
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I want audiences to see me in different avatars.
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You know, I think anybody who has been in relationships has access to heartbreak - I don't think we have to go far to find it, whether we inflicted the heartbreak or whether we were the recipient of it.
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If I go to a concert or sporting event I usually go in a VIP entrance. And leave the same way.
