Sylvester McCoy (Percy James Patrick Kent-Smith) Quotes
On stage you look much larger than you are. You can have subtle changes of timing; how you place a punch line in a joke or movement or emotion according to an audience.
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Quotes to Explore
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My daughter, Lila, is my style critic. She'll say, 'No, Mummy, you can't wear that.' She's very good. I do trust her instinct.
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Before I was 5, I did have a lot of time on my hands. I had no job and really no career, and I spent an awful lot of time listening to records. It was more the classical ones, really - Prokofiev, and I think there was some Mozart in there, and more impressionistic composers like Delius.
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Our house is a constant mayhem of music, noise, socializing and business. It vibrates life, as a house should.
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I love what I do so much. I just keep going. Not much can bring me down.
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I don't think I always look in people's faces, like, as - I think especially when I'm doing my more intimate songs that are quite personal, I always feel it's a bit accusing if I stare in someone's face when I singing quite a personal lyric.
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I love rock n' rollers.
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The historian will tell you what happened. The novelist will tell you what it felt like.
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I have to believe there's redemption in the darkest of circumstances; otherwise it's too bleak for me.
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I loved reading when I grew up but did feel totally invisible because I couldn't see myself and my life reflected in the books I was reading.
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The more a general is accustomed to place heavy demands on his soldiers, the more he can depend on their response.
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I shake hands on the first date.
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I hope I'm better today than I was yesterday. I don't believe in glory days or anything like that, so I think the best is tomorrow or later this afternoon!
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Always follow your own path.
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Procrastination gives you time to consider divergent ideas, to think in nonlinear ways, to make unexpected leaps.
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If a script is good, you are 10 steps into the part just reading it. But my choices are not all down to my taste. It is about people you have worked with before.
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I had to be a grown-up when I should have been a little boy, and now that I'm a grown-up my little-boyness has exploded out of me. I've lived my life backwards.
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There is a perception that the Chinese started out downtrodden and abused in the 19th century and gradually rose to the top of society as model minorities, and you see them winning Nobel Prizes and getting into our best colleges. But it is not a linear progression. Things don't always get better.
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I had serious reservations about putting my son in the public schools in my area. I have a tremendous amount of fear for the future of my boy. He's nine-and- a-half and dark-skinned. By the time he's 12 or 13, who knows who he's going to be identifying with in these days when you get shot down for wearing expensive Nikes to school...I've heard that if a Latino makes it to 19 years of age, he has a good chance of surviving into adulthood. Up until then, you don't know.
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The effects of outcome expectancies on performance motivation are partly governed by self-beliefs of efficacy
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I think if you create something and you get an audience for it, then the monetization part is really secondary.
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The young people look great on television. They’re youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven’t got the training to hold an audience for an hour and a half or so.
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All my photographs seep through EMOTION , through the relationship I establish with the place I am portraying. Whenever I see something that captivates me, I start turning around it to find MY OWN frame. I work on myself and on the city at the same time.
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Know yourself -- and know your audience.
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On stage you look much larger than you are. You can have subtle changes of timing; how you place a punch line in a joke or movement or emotion according to an audience.