John Whitney "Whit" Stillman (Whit Stillman) Quotes
If you're mostly a writer - if your point of departure is writing something - which for a writer/director is sort of where you start, you're really influenced by the writers you love one way or another.
Quotes to Explore
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I love writing songs.
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One thing I've tried to do in writing music is take on very basic things, very archetypal things.
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Sexual relations, of course, have existed, exist, and will exist. However, this is in no way connected with the indispensability of the existence of the family.
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I don't have specific music for when I'm writing. I'm usually listening to the same playlist or 'artist' before I arrive at the computer as when I'm walking somewhere after leaving the computer.
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I guess I'm kind of used to it because it's always been that way for me.
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Writing is a creative process, and you need to have the doors and windows of your mind open so that you have the possibility of change.
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When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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Government can do best by simply getting out of the way.
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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.
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I thought writing about somebody current would be a little closer to what I'm used to doing.
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After the children grew up, I began to focus on my writing. My first books were part of a trilogy... The 'Wind Dance' trilogy.
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I love wearing my hair curly, but turning the curling iron all the way up creates curls that look really made up and artificial.
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I would wake up really early and go into the hotel bathroom, put a towel over the toilet, and put my laptop there. I'd put my headphones on and just write. And so now when I do writing sessions, and I am stuck on a part, or I can't figure out a chorus, I'm just like, 'Give me a second,' and I'll go to that bathroom.
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At least half my writing time is spent researching. So for every hour I'm actually clicking on the keyboard, I'm spending another hour trying to figure out some tiny detail I need answered.
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I associated excellence in writing with New York City.
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I naturally wanted to be saved, so when I came home I told my mom I wanted to be confirmed. That's the way I related to it, being raised an Episcopalian. I went to Dallas and got confirmed.
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I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
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As I grew up, I read and loved many fairy-tale retellings and began to think about writing my own reimagining of 'Rapunzel.'
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You know that sickening feeling of inadequacy and over-exposure you feel when you look upon your own empurpled prose? Relax into the awareness that this ghastly sensation will never, ever leave you, no matter how successful and publicly lauded you become. It is intrinsic to the real business of writing and should be cherished.
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A statue in a garden is to be considered as one part of a scene or landscape.
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I've since become really good at overwhelming myself.
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Anybody who dedicates himself to exploring the human condition, there's always a detached eye that's watching. In any situation, a little part of me is observing it, to see if there are any raw materials to create something else later.
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No matter how cutting-edge Hollywood may seem, it is still delayed in how it views people: If producers do not perceive me as an Iranian girl, then I cannot play an Iranian girl. If you aren't perceived as a full black girl, then it makes it more difficult to play a black girl on TV.
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If you're mostly a writer - if your point of departure is writing something - which for a writer/director is sort of where you start, you're really influenced by the writers you love one way or another.
