Wilbur Mills Quotes
Quotes to Explore
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Rahm Emanuel is, we are almost certain, a vampire.
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I have never planned to have babies by a certain age.
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I wanted to make Canadian films, and I ended up making American films.
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The '70s were a time of turmoil and turnover. But I grew up here. I always wanted to play here.
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When my wife passed, I stopped doing interviews and I stopped doing meet-and-greets, mostly because I sort of became this suicide ambassador. Everybody wanted to tell me their story.
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He was not a runner, my father, but he was quick. I always remember it was very difficult to escape from him when he was angry. If he wanted to beat us he would always catch us. Even me, he could always catch me.
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I wanted to be famous. I wanted people to talk about me.
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It's been a transformative period and I really wanted to make music from what I've experienced.
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More than anything, falling in love causes a certain female thing in a man to manifest, oddly enough.
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I've always wanted to act; I just didn't know how to get into it. It kind of just happened. Dance brought me into it.
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If I was bigger I might not have had the same skill set as I do, the speed.
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I was really into my studies and wanted to be a doctor.
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Yeah, they let me do whatever I wanted to.
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You never know what life has in store for you, but I believe there are certain things one is meant to go through
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In Europe there's the upper crust, and these are long, historically families and social systems that have certain established rules that's harder to break into.
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Certain people want to see me solely as a pop act, but there are many different sides to Christina Aguilera besides the pop girl.
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We live in the postmodern world, where everything is possible and almost nothing is certain.
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Love Me Do, the first song we recorded, John was supposed to sing the lead, but they changed their minds and asked me to sing lead because they wanted John to play harmonica.
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On his new motorbike: I wanted to spend some time with it and get to know it.
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In fact, on a side note, after the success of the first record, I got asked to write for some pop artists, as everybody does, and I did a couple songs for some of these massive stars and the review that I got back was, "This artist likes the song but it's too POP-y for them." I was like, "What do you mean, I thought I was writing for a pop star."
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We wanted to be certain they didn't have a bigger deficit, and Kennedy agreed with me.
