Kate Moss Quotes
When you're shooting you go to references in your mind. You think about how you should stand in these particular clothes, or how you should move. You think about the different characters you're playing, really.
Quotes to Explore
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I think why I was attracted to making something with Vice is that level of intimacy that you get as the viewer, getting to see some of that production element where we don't exactly know what we're doing, where we're going, or even if it's a good idea.
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I think that the mistakes that anyone can make going on dates is probably not being themselves because you can only trick people for so long.
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One of the achievements of the reform movement is that people realize that they can be democrats and remain faithful Muslims. Democracy is now an established idea.
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Younger hackers are hard to classify. They're probably just as diverse as the old hackers are. We're all over the map.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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I've always wanted to be in journalism. I even started a course at Loughborough doing media studies. I like all sports, and I am keen on writing. But I thought that while I was still young, I ought to make a real go of it at badminton. So I have put all my focus on playing sport instead of writing about it.
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I was thinking about the women of Pakistan, those who are not allowed to get education, those who are not allowed to do whatever they want to do in their life. I hope that the families will understand that the contribution of women is important and can be more powerful for building a greater country.
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Scoring the first 10 in history was a big deal, but the fact that even an electronic scoreboard could not figure out how to put out a score, it made the story more historic.
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I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
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I love to be with my son and my grandchildren, like normal people. I have no particular idea of what I represent to other people. It's very mysterious to me. I don't understand it.
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Though many corporations honor commitments to reduce dangerous pollution, some cut corners and cheat. The marketplace doesn't always have mechanisms to correct bad actors.
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I always saw myself as a large stockholder trying to make a difference. I wasn't raiding anybody.
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These activists who support immigrants inadvertently become part of this international human-smuggling network.
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You either make dust or eat dust.
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I write 'by the seat of my pants.' I love to do research. I am inspired by contemporary writers and contemporary events. I live in the real world.
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Without vanity, without coquetry, without curiosity, in a word, without the fall, woman would not be woman. Much of her grace is in her frailty.
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When you're writing a novel - at least the way I write is I work from what I would call 'emotional atmosphere,' ambiance to ambiance.
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We've heard that the hookup culture is destroying us. We've heard that it's saving us. We've heard that it's racist. We've agonized over which one of these is true.
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I've never really been met with indifference, where they say, 'Who cares?' I think that's what good art is supposed to do. It's not supposed to make you feel good about your own prejudices and your own values; it's supposed to open you up in some way and get you outraged or make you happy or make you sad or whatever it's going to do.
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People figure because I'm blonde and was a model, I just waltzed into Los Angeles and got major roles in major films.
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I can't be the only person in the world to have three different husbands, and yet those relationships are never talked about.
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I mean, '8½' to me is such a great dissertation on the whole, you know, act of filmmaking and creativity.
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A father is a man who expects his son to be as good a man as he meant to be.
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When you're shooting you go to references in your mind. You think about how you should stand in these particular clothes, or how you should move. You think about the different characters you're playing, really.
