Dan Fogelberg Quotes
Quotes to Explore
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I won't allow myself to have tremendous fear.
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One never can know the whys and the wherefores of one's passional changes.
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One thing I did was grow up as an ardent naturalist. I never grew out of my bug period.
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Love can never be fully explained.
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When I was 16, I filmed an episode of 'Full House' where my family goes to Disney World. I remember putting on baggy overalls just to hide my stomach. When I watched it, I was pretty disappointed and bummed out looking at myself... I didn't feel good about my own body.
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My inspiration is endless; I can't define it. It is a constant flow and evolution. In general, I'm taking it from everywhere. People get nervous when they walk with me, as I'll see something and suddenly have to text it to myself.
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I wasn't bad at school, but I was never a bookworm.
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Never despair, but if you do, work on in despair.
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I studied communications, only because I could get my own show on the campus radio station. I never thought of it as a career. Music was always a really passionate hobby - it was like collecting DVDs or stamps.
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I've never been more famous than I was, suddenly, in 1986.
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The omnipotence of evil has never resulted in anything but fruitless efforts. Our thoughts always escape from whoever tries to smother them.
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In fact, you couldn't give me anything to make me go back to being a teenager. Never. No, I hated it.
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I have never broken a contract in my career.
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I ran away from three different boarding schools before joining a circus school, and eventually I became an actor. The only thing I learned at boarding school was never to send my child to one.
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I came from two harsh dictatorships, Nazi and Stalinist. I never thought of becoming a writer as such, yet in a lucid moment, I recognised what I had to do.
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My husband and I don't have sons, so we never had to ask ourselves how we'd have felt about them playing football.
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I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.
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I can only say that I myself wrote always as I wished, without a tremendous desire to find the latest thing possible.
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I actually hope people don't react to 'Impossible' in a way where they think it's terribly retro. The plot needed to do what it needed to do. But I'm a little surprised to find myself looking a little bit like an advocate of teen marriage. It takes some exceptional circumstances for that to be a reasonable idea.
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Chefs don't use white pepper just to avoid spoiling the whiteness of pommes puree or bechamel. It has a more peppery aroma, with sharpness and sweetness, too.
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It's hard to absorb and to allow all that attention and accolades for 'Rent' because the rest of the country doesn't know who we are. Once I walk out of the door of 'Rent,' and I'm on the subway, it doesn't matter. It's an exaggerated sense of fame.
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There's some new evidence that has just come out about the CIA planning terrorist attacks on U.S. soil in the '60s and how they were going to set up Castro for it in order to get America behind a war in Cuba.
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If a person wants to enjoy attention, he will create situations to get it.
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I never going to satisfy everybody, so I decided to satisfy myself.
