Terence McKenna (Terence Kemp McKenna) Quotes
My hope is that I may bear witness to the fact that there is a great mystery calling to us all, beckoning across the landscape of our history, promising to realize itself and to give real meaning to what is otherwise only the confusion of our lives and our collective past.
Quotes to Explore
-
For my film 'Fashion,' like an investigative journalist, I went about knowing the people, the models, the fashion designers. Similarly with the corporate world.
-
I'm a bit of a fashion magpie.
-
Bruckner's Eighth is a colossus.
-
I'm not the kind of actress that goes home with the character. I mean, you're thinking about the work or the next day's scenes, but not staying in character. But as a film goes on, you become more and more fragile, emotionally. And physically too, actually.
-
I'm actually not on Twitter.
-
Sometimes I post something unwittingly that connects with women. But I never think, 'OK, let's take a shirtless picture for the girls.'
-
I only regret that I have but one life to lose for my country.
-
I want to separate my professional life from my personal life. I want to live a normal life and be a normal mother.
-
Those opportunities to play in championship games are few and far between.
-
'Gold,' says the Consul, knowing that this is the only syllable that has held its power over the ages.
-
Sleep teaching was actually prohibited in England. There was something called liberalism. Parliament, if you know what that was, passed a law against it. The records survive. Speeches about liberty of the subject. Liberty to be inefficient and miserable. Freedom to be a round peg in a square hole.
-
I lost all connection with the outside world and was immersed in a world of darkness. I was scared that my existence would fade silently. No one knew where I was, and no one would ever know. I was just like a small soybean-once fallen to the ground, it rolls into a crack in the corner. Being unable to make any sounds, it will forever be forgotten.
-
Sometimes the characters I find the most compelling are in independent movies. With independent scripts people can take more challenges.
-
Meanwhile, my residence within the Federal lines, and my acquaintance with so many of the officers, the origin of which I have already mentioned, enabled me to gain much important information as to the position and designs of the enemy.
-
I often think of the novel as a form that celebrates social groups, and the short story being a form that is capable of celebrating an individual or a sort of insular little pair of people.
-
I once had a large gay following, but I ducked into an alleyway and lost him.
-
I love when a song is conceived as a jigsaw puzzle in the studio, and then it's a natural to play live. That's my gauge of success for a song.
-
Most of the characters I write with don't think an awful lot about their faith. They're not always questioning the church or feeling confined by the church or rebelling against the church.
-
I'm not a good choreographer: I can't remember what I put down.
-
I grew up having all the Dolce & Gabbana campaigns on the walls of my teenage bedroom, and I was dreaming of one day being a model.
-
What I'm doing, with my image, I have my perfumes. I've had that for almost 20 years, and I have like 14, 15 different perfumes now.
-
... not all black women have silently acquiesced in sexism and misogyny within the African-American community. Indeed, many writers, activists, and other women have voiced their opposition and paid the price: they have been ostracized and branded as either man- haters or pawns of white feminists, two of the more predictable modes of disciplining and discrediting black feminists.
-
The stadium here in Munich is the best of the lot for me. It is absolutely fantastic, especially the way it lights up a different colour according to who is playing. It's superb.
-
My hope is that I may bear witness to the fact that there is a great mystery calling to us all, beckoning across the landscape of our history, promising to realize itself and to give real meaning to what is otherwise only the confusion of our lives and our collective past.
