Raphael Saadiq Quotes
Quotes to Explore
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I knew I didn't want to make a country record just because that's not really what I would have ever made as a solo artist.
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I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.
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I'm the artist when I'm doing music that I am when I'm acting. I'm everything.
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Where I come from, if you weren't a drag queen or a radical thinker or a performance artist of some kind, you were the weirdo.
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The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
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I guess I had a suspicion of it my entire life without knowing exactly what it was – knowing that there was something different about me, which I attributed to being an artist. At 11 or 12 I started sort of clarifying for myself. It took a while.
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I am the type of artist where you can't tell me anything. I have always been that way. I am right. I don't need any input.
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R&B is the one thing that has influenced every kind of music. Every artist that there is, from those that are sung the most to Adele - you know, she was so influenced by so many R&B artists and soul music - it's clear in her writing that that's where it comes from.
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I miss the personalization that Vegas was - there were showroom captains and all the dealers knew the gamblers by their first names.
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I wanted to become an artist because it meant endless possibilities. Art was a way of reinventing myself.
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If brands can find a voice that matches them, and the artist embraces it, they can find a way that would serve them that doesn't feel like a sellout to the artists and has dramatic impact for the brand.
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I don't think that much anymore in terms of 'write a record, record a record, tour a record,' because in my own mind, things have changed, in that I'm just an ongoing artist. I'm not quite sure what the next project needs to be until it presents himself, and then I know. I just follow dutifully while I'm being led.
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The work of art is always unfaithful to its creator... Art lays at a higher level; it says something more, and almost always, it says something different from what the artist wanted to say.
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I am Warhol. I am the No. 1 most impactful artist of our generation. I am Shakespeare in the flesh.
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We lived on a farm in the English countryside, where we wrote a lot of our music. You really were treated like an artist during those days-not like product, which is now the mode.
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At a certain time, an artist needs a big retrospective. At other times, they need a more focused exhibition. It's a different story each time; it's about establishing a dialogue.
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Everything that an artist does is a risk. Some people want you to stay the same. If you want to evolve, they want to keep you in a certain place.
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The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of [2006].
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I want to go and see things as a fan again. I am a fan, but I can't remember what it feels like to be a fan anymore. Because I've become an artist. I've become the artist.
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There are a lot of artists who haven't lost anything to domesticity. In my case, it probably did happen.
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If he [the Artist] were to take up the pen it would be...to better express his individuality and explain it to others; or else to put his internal affairs in order...to deepen and sharpen his relationship with his fellow men because other souls exert an immense and creative influence on our soul; or to try to fight for a world as he would like it to be, for a world that is indispensable to his life.
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The way an actor is trained doesn't ultimately have much bearing on my work. I'm interested in the actor as artist.
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Most people love you for who you pretend to be.
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I liked the name Saadiq and didn't want to be known as an artist as Raphael Wiggins.
