Radhika Apte Quotes
Quotes to Explore
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I actually think I have an audience member's sensibility about going to the movies.
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I love to be in the moment. I love to analyse things a bit.
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Anyone who says they want to make a game that becomes a cult classic is kinda screwy, right? I mean, you want to reach the largest audience you can.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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The moment you sense someone is making something because they think people are gonna buy it or like it, it's just so phony! The public has a nose for phony like nobody else.
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There came a moment in my life when I realized that I had stepped into another part of my life. I used to walk into a room full of people and think, do they like me? And one day I walk in and I thought, do I like them?
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.
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I came from two harsh dictatorships, Nazi and Stalinist. I never thought of becoming a writer as such, yet in a lucid moment, I recognised what I had to do.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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I believe that given the audience attention level, we could do an even more compelling 90 minutes.
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I still get excited by working with big names. You have that initial moment of, 'Oh my goodness, I'm going to work with Tom Cruise!'
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My speech is really important to me, but the thing is at the moment it can't be more important than my singing. Until I'm an established name all over the world, my speech won't be more important than my music.
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If ever we deserved a candidate at this moment in our culture, that candidate is Donald Trump.
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The audience has always been my best director.
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Live audiences love me because I'm singing and actually am able to f**k with people live over the mic.
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[When anything happens, we interpret it as good or bad, but...] We do not know what is really good or bad fortune. [Only the future can decide. For example, what appears to be bad today may in fact lead us to a greater good tomorrow and by the very act of thinking and planning in that positive way, we can help make that good future come true.]
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If life is really as purposeless, unfair, and uncontrollable...,then life is simply too terrifying to be managed. So we search for a redemptive narrative... That search is a survival mechanism.
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I came up in the theater, and I learned pretty quickly that reading a review, whether it's good or bad, can strangely affect the next performances, because you're reacting to something that's been said about you. So I tend to avoid that stuff pretty studiously.
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When I do all-hands calls - and I do a lot of all-hands calls - and I look out across 50 people, or 5,000 people, I see United States sailors. I do not see male sailors, or female sailors, and I do not think anybody else does, either.
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If the actor believes in the moment, the audience believes in it, too.
