Nina Bawden Quotes
A writer's work may be a coded autobiography, but only a very close friend could decipher it.
Quotes to Explore
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When I was a kid, all I ever wanted was to be famous.
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I want young people to be hesitant to glorify war and to demand of their leaders justification for the sacrifices they ask of our citizens.
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I love writers. All of my best friends are writers.
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I had done another show called 'United States of Cars,' which was a pilot that didn't get picked up. And they said, 'You know, we're doing 'Top Gear,' and would you like to meet the guys?' It was the wild - most wild audition I ever had because I never went to a studio or a producer's office.
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The essence of science is independent thinking, hard work, and not equipment. When I got my Nobel Prize, I had spent hardly 200 rupees on my equipment.
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Everything was in stark and dreadful contrast with the trivial crises and counterfeit emotions of Hollywood, and I returned to England deeply moved and emotionally worn out.
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My boys asked me to write beautiful letters for their ex-girls so they could get them back. I thought, 'I should be writing songs for myself.'
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Learning to read the Bible in the light of the times in which it was written is critical.
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I'm an actor first and foremost, who happens to do improv. I've also done sitcoms, I've done stage.
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I work with gold that holds our past and diamonds that see the future and rubies that long for love. It's just a way of telling a story.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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I don't talk about political matters. That's not my department.
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As film-makers, it is very important for us to find common ground between cultures, and maybe that's less the case for politicians who benefit more from finding the conflicts and differences between us.
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The grass is always greener on the other side - until you get there and see it's AstroTurf. Symbols are never reality. Someone might have amassed material success and fame, but that doesn't mean they're happy. So, don't go judging a person's life by the cover.
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Whenever anyone calls me 'The new J..K. Rowling,' I think, 'What's wrong with the old one?'
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You get to the point where you're like, 'I'm just doing me, and if people don't like it, then it is what it is.'
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I felt that it was cool to even get to the point where I was able to audition on the actual 'SNL' stage. Looking back on it, I can't believe that I wasn't more nervous.
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I'm too tough and sensitive to have to have some pubescent twerp with his mom's earring in his tongue, who combs his hair with Redi-Whip and has an Ani DiFranco tattoo on his shin, come show me how a computer works.
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The real beauty of it - key to my life was playing key chords on a banjo. For somebody else it may be a golf club that mom and dad put in their hands or a baseball or ballet lessons. Real gift to give to me and put it in writing.
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When you're an actress, there are only a few times you can really get paid. One of them is doing a sequel. They can't fake you or hire another actor to play you.
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I'd have to say the best part of being successful is being able to take care of my mom so she never has to worry about anything again and also being able to put my friends and people I care about in positions to win.
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I just work out hard enough that, if I'm craving something, I eat it and know I'm going to burn it off the next day with extra intensity.
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Bad acting comes in many bags, various odors. It can be performed by cardboard refugees from an Ed Wood movie, reciting their dialogue off an eye chart, or by hopped-up pros looking to punch a hole through the fourth wall from pure ballistic force of personality, like Joe Pesci in a bad mood. I can respect bad acting that owns its own style.
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A writer's work may be a coded autobiography, but only a very close friend could decipher it.
