Ray Bradbury (Ray Douglas Bradbury) Quotes
I don't like the kind of writer who's out to change the world and beat up on people for their own good. Stalin did that and Hitler did that, and to hell with them.
Quotes to Explore
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There has never been a female director who has won an Oscar. There has only been one woman who won at the Cannes Film Festival.
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I am happy with all the films I've done. I have not become the victim of an image. I have managed to do different roles, and I am proud of that.
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As long as people have been making little people, they've wanted to know how not to.
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But eventually it is a game of cricket.
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No, it's a Bb. It looks wrong and it sounds wrong, but it's right.
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The notion that one will not survive a particular catastrophe is, in general terms, a comfort since it is equivalent to abolishing the catastrophe.
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I taught myself to play the piano, because I wanted to play it.
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I've felt that if you dwell too much on your errors, you're dealing in the negativity of things. I don't like that. I'd rather work on the positive reinforcement, the things I did well.
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The war on terror is the most insane and immoral war of all time. The Americans are doing what they did in Vietnam, bombing villages. But how can a civilised nation do this? How can you can eliminate suspects, their wives, their children, their families, their neighbours? How can you justify this?
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The funniest line in English is 'Get it?' When you say that, everyone chortles.
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There were uncles in my life that definitely knew the street life.
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My only reason why I am not doing films is my children. My children need my attention, and it's my duty to give them my time. I have not given birth to them to just dump them and go off to work. I am not that kind of a person.
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John Dalton's records, carefully preserved for a century, were destroyed during the World War II bombing of Manchester. It is not only the living who are killed in war.
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It never gets old. Working with somebody like Kevin Hart is rejuvenating in a lot of ways. He's such a pro. He's so good.
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When I started performing in public, I was probably around 10 or 11.
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I have got him fast hung up, quoth Didius to himself, upon one of the two horns of my dilemma - let him get off as he can.
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There are musicians who want to make a living making music. There are listeners who want to listen to music. Complicating this relationship is a whole bunch of history: some of the music I want to listen to was made a while ago in a different economy. Some of the models of making a living making music are no longer valid but persist.
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I think it's awesome when a woman is in control of everything she's doing, especially in an industry like this where people think that doesn't happen often, but it really does - well, from my knowledge and how I manage my own project.
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I think the experience of getting an audience a little bit tense and shocking them with a jump scare, and then moving on it can be cheap and easy. The harder thing is to get them unnerved and disturbed in a growing way. That starts off easy and increases all the way through the picture.
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In the old days you could do re-runs, and people would have to watch that because there's nothing else. But with Netflix and Amazon, Hulu, Xbox, as well as premium and regular cable, it's very hard to do that.
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There is something to grace and deportment, but you determine that for yourself. That's something you own.
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Before 1980, it was basically illegal for U.S. banks to invent new products.
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I don't like the kind of writer who's out to change the world and beat up on people for their own good. Stalin did that and Hitler did that, and to hell with them.
