Terry Eagleton (Terence Francis "Terry" Eagleton) Quotes
Because subjects like literature and art history have no obvious material pay-off, they tend to attract those who look askance at capitalist notions of utility. The idea of doing something purely for the delight of it has always rattled the grey-bearded guardians of the state. Sheer pointlessness has always been a deeply subversive affair.
Quotes to Explore
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The Arab world also won the Nobel with me. I believe that international doors have opened, and that from now on, literate people will consider Arab literature also. We deserve that recognition.
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The terrifying and edible beauty of Art Nouveau architecture.
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Movie making is not like other art forms, like painting, or writing a novel, because that can be digested or interpreted... It takes two years to make each one of these, and it's always judged on money.
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Any art communicates what you're in the mood to receive.
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We must not show to all and sundry the secrets of the waters flowing in ocean and river, or the devices that work on these waters. Let there be convened a council of experts and masters in mechanical art to deliberate what is needed to compose and construct these works.
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But the business side of it, as with most creative things, there is no room for business. It is about art. It's not about marketing.
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The ultimate, if distant, aim of the Bauhaus is the unified work of art - the great structure - in which there is no distinction between monumental and decorative art.
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If I'm creating a free-form piece of art, I can make it look like anything I want, and nobody will say it's wrong.
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The people who make art their business are mostly imposters.
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We know from many experiences that this is what the work of art does: its life - in which we have shared the alien existences both of this world and of that different world to which the work of art alone gives us access - unwillingly accuses our lives.
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The work of art is, after all, an act of faith in our ability to communicate symbolically.
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Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-existing film.
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A lot of times, politics, global issues are very black and white. There is a place for that, but it's also fantastic to have art side by side, from different viewpoints, open for interpretations.
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You should be able to be influenced by art no matter where it comes from.
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I had passed through the entire British education system studying literature, culminating in three years of reading English at Oxford, and they'd never told me about something as basic as the importance of point of view in fiction!
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Religion is the everlasting dialogue between humanity and God. Art is its soliloquy.
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I loved reading when I was young. I was just completely taken by stories. And I remember taking that into English literature at school and taking that into Shakespeare and finding that opened up a whole world of self-expression to me that I didn't have access to previously.
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Whereas painting is a more rarefied art form, with a limited audience, I recognized film as this extraordinary social tool that could reach tremendous numbers of people.
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I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
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Science and art, or by the same token, poetry and prose differ from one another like a journey and an excursion. The purpose of the journey is its goal, the purpose of an excursion is the process.
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She had a womanly instinct that clothes possess an influence more powerful over many than the worth of character or the magic of manners.
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You see, my ambition was not to confound the engineering world but simply to create a beautiful piece of art.
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You learn how to compromise and you learn how to read each other. Honestly, being in a band with two guys has prepared me so much for when it's time for me to get married!
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Because subjects like literature and art history have no obvious material pay-off, they tend to attract those who look askance at capitalist notions of utility. The idea of doing something purely for the delight of it has always rattled the grey-bearded guardians of the state. Sheer pointlessness has always been a deeply subversive affair.
