Mike Figgis Quotes
You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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I am kind of the front man for a team of people behind the scenes who are working just as hard as me and are putting in just as much time to make this all happen. I'm not trying to be humble. I just want everyone to get credit where credit is due.
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If you're trying to understand why it is that certain things happen in Sacramento and certain things don't, at the end of the day, it comes down to the issue of incentives: We do what we're incentivized to do.
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Reparations, I believe, are talked about for political reasons, trying to cater for the purpose of getting votes. If Congress was serious about reparations - in '93 and '94 the Democrats controlled the House, the Senate and the White House, and not one single Republican vote was needed for reparations.
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We're not trying to make you less of a man. We just want you to love us as deeply and as wholesomely and as fully as we love you.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I love Jet Li, but he looks very Chinese, and his English is Chinese-accented. He wouldn't have been the right guy to play a Japanese-American.
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I wanted no part of losing. Why play if you can't beat the other guys more often than they beat you?
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The only interesting thing that can happen in a Swiss bedroom is suffocation by feather mattress.
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I first moved to Denver to work with a group called YWAM, 'Youth With a Mission.' I was a kid - I was 18 - and did some work with homeless people. Really, trying to convert people is sort of an awful position to find yourself in, so I quickly, on my own, grew out of religious ideas.
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We have got into Indian railways and are trying to get into the railway locomotive business in Europe and the United States.
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I'm not trying to be a celebrity, Justin Timberlake kinda guy.
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I want to do theatre and film and direct my own things and develop.
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My family was Jehovah's Witnesses, which is a really tough religion. It kind of deterred me from religion for a long time. They still practice, but I don't. But I always remained spiritual, and had a belief that there is a God. I'm trying to find my way, you know?
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In the future, I expect to see bitcoin mining in places where electricity is free or cheap. You could put solar array in the Arizona desert attached to bitcoin miners, and instead of trying to ship that electricity all over world, you could ship Bitcoin all over the world.
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I have found, unfortunately, that if I take on too many projects at one time, there is a higher probability of those projects sucking.
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I wouldn't have been interested in making a show just about Hollywood, 'cause I find Hollywood boring. I find people and families very interesting.
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All of us growing up, if you're a professional player or a college player, you're molding your game after guys. You see guys, you see things guys do. Like Randy Moss, I'm a Randy Moss guy.
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Every day I'm trying to be more humble and how do you do that? I guess, every day, we have mass. Every day, I pray the rosary. That's what I do.
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We started out when I was 6 years old. We played ukuleles and sang Everly Brothers songs.
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You will suddenly realize that the reason you never changed before was because you didn't want to.
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Imagine if your palm PC could scan a credit card and could simultaneously take your picture and imprint it on the card for verification at the checkout counter.
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You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time.
