Ray Fearon Quotes
Quotes to Explore
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But I guess I like playing flawed guys 'cause it gives a place for the characters to go.
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Woman is the dominant sex. Men have to do all sorts of stuff to prove that they are worthy of woman's attention.
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I don't think balance is something you get from someone else; it's something women have to find from within. For me, finding balance is still a work in progress.
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No matter where your lot may be cast, no power on earth can keep you from making a man of yourself, a superb character, a masterpiece.
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Any character that can't be kept straight, to me, isn't a character who should be in the book – you know, anyone not vivid enough to have a claim on my attention.
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When I got to be a CEO, I said: 'Right. I'm now going to tackle gender inequality head-on. I'm going to make a difference and lead by example and actively put in place policies and practices to support women.'
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Within a month I announced I was going to start this initiative: A World of Women for World Peace.
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As it stands, motherhood is a sort of wilderness through which each woman hacks her way, part martyr, part pioneer; a turn of events from which some women derive feelings of heroism, while others experience a sense of exile from the world they knew.
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You can hardly judge women's effect on politics merely from the action of individual women officeholders.
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To me, it's really not about how I look - it's about who I can be. It is my job to bring the character to life and my duty to fit into the jigsaw in that story.
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I've heard people say in the U.N. community among mediators they don't like women as mediators because they're too quick to compromise.
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So far as regards their moral character, the Finns have as little cause for reproach as any other people.
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A lot of the lessons that are taught in football will promote success in anything you get into after football; for me, it just happens to be music. Being disciplined. Good character. Trying to do the right thing, and working hard.
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I've gravitated towards independent cinema because you have to work harder in studio scripts to flesh out characters, particularly female ones. They are not as sharply edged, they tend to be quite watery. They are not renderings of women as I know them.
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By the mid-’90s, the anger at men had become so palpable that even sedate publications like The Economist were characterizing women’s vs. men’s workload as 'A woman’s work is never done; a man is drunk from sun to sun.'
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While gossip among women is universally ridiculed as low and trivial, gossip among men, especially if it is about women, is called theory, or idea, or fact.
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On one hand, my gender has never been an issue. The issue has always been what's on the page. But the reality is, an awful lot of women fought an awful lot of battles to get me to that place.
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Old-fashioned ways which no longer apply to changed conditions are a snare in which the feet of women have always become readily entangled.
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I grew up in a house of forthright women.
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There are a lot of women who feel that they have done all the work in their relationship only for someone else to step in and take the love and credit for it.
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The magic, that's what keeps you playing. That's what never wears off.
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My voice has always been kind of distinct - even when I was four years old, my mom told me that people would be like, 'Why does your daughter always sound like a chain smoker?' I've always had this deep, raspy voice.
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My dad and mom were in bands: the Soda Jerks, Fat Time, Girls at Play - which is a play on Men at Work.
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I loved playing a character that women fancied.
