Ray Liotta Quotes
Quotes to Explore
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I started as a teenager going up on commercials.
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I had a bit of a male menopause. It started at the age of 18 and continued until I was 45.
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Thanks to the Japanese and Geronimo, John Wayne became a millionaire.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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If I'm not putting out music, I'mma be producing for everybody. I got an artist named Mike Slice. He's nice, and he's real good. I'm doing a bunch of production for all the artists in the industry because I'm as much as a producer as I am an artist.
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It wasn't until I let go of the idea of the brass ring that it showed up, and fortunately for me, it coincided with getting clean.
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I became conflicted in my late teens.
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I started gigging when I was about 16, and I was way too young to be in the clubs.
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Up until I started on YouTube, my first love was musical theater.
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We're all terminal; none of us are getting out of this alive.
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I started playing the trumpet when I was about eight.
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You cannot get an A if you're afraid of getting an F.
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For cubic U I didn't know how it all got started at all.
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When I initially started acting, all I wanted to do was to be in one movie. That's it. That was my goal.
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I've been DJing mostly, and most DJs end up producing. That's just me.
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I became a people-watcher when I lost all my friends when I was 12.
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He started pushing to make birdies and you don't do that when you're down.
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In 1930 I became a member of the Reichstag.
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Over the year,s the government launched more than one 'war on corruption,' and they all failed. Why? Because they all started from the bottom up.
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Africa wants the world to acknowledge that through fair partnerships with other members of the global community, we ourselves are capable of unprecedented growth.
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But I've always felt that the less you know about an actor's personal life, the more you can get involved in the story in which he's playing a character. And I don't like to see movies where you know about everything that happens behind the scenes. I can't engage in the story if I know what's going on in the actor's head.
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Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
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You have a choice. It may not be a choice you like, but it is still a choice.
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As soon as I became proactive in producing my own stuff, I started getting other roles.
