Eunice Kathleen Waymon (Nina Simone) Quotes
I am particular about the seating of the audience - also about how much money they pay - but most of all where they are seated. If I am going to sing something intimate, who am I going to sing it to?
Quotes to Explore
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I don't have to worry about the obvious things like money.
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I just enjoy being onstage and relating to the audience.
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Personally, the first year when I started making enough money just from acting - by that, I mean not doing anything else but acting - was around 2003.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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Carefully calculate the potential size of your market to make sure you can grow. Before starting Mint, I knew that there were about 20 million people who had purchased 'Quicken' or 'Microsoft Money' over the years, and 80 million people using online banking in the U.S. alone.
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Money just draws flies.
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You may not like the idea of putting money into a home when you're moving out. But it's demanded by the market. You need to show it off. You don't have to rip out the kitchen and bathroom. But maybe replace the tiles or the countertops. Get professional advice.
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We weren't dirt poor, but there was no spare money kicking around. While it was very much understood that the way to a better life was through education, books were a luxury we couldn't afford. But when I was six, we actually moved opposite the central library, and that became my home from home.
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I made my money in an honest way. And I have declared it all. By co-founding Infosys along with Mr. Murthy and others, I earned financially.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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My name can raise money on a small-budget film.
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I just kept telling myself that ultimately, the money that my grandparents had put away to go into my college fund, that they were investing for me to go to school and get this education, it had to be worth something.
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Money stress is what used to remind me of my Dad most.
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The fame and the money and all that stuff that comes along with it is all great, but that's not the sole purpose of why I make music.
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I like to go from mainstream movies to more artsy films. I don't sign on for the money. Maybe I should, but I don't. There's always a good reason for doing something.
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I'm a very safe saver. I save everything. I save all my money and my parents raised me like that.
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I don't perceive an audience at all when I write a book. It's pure self-indulgence.
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The reality is that politicians, in terms of the amount of power they wield and the amount that they work, don't actually make that much money.
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I stand with the millions of seniors and working people who depend on Social Security and who expect the money they put in to be there for them when they retire.
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In 2001, Congress passed much needed tax relief to allow Americans to keep more of their hard earned money and spend it as they see fit - rather than how the federal government sees fit.
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The artwork for the record is kind of an homage to that. It's a collage, which rhymes with homage, I just realized. It's an homage to this kind of almost like a teenager's idea of what the future might look like, if he were using a Xerox machine and cut-and-pasting it together. Which is exactly what we did to come up with the artwork.
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I had lots of posters on my bedroom wall of players like Zico, many Brazilian and Italian players, not many players in particular but I loved football so much and I especially loved skilful players.
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It is to aid in making the arts operative rather than only positively or negatively pleasurable... it is to paint a record, in so far as I am increasingly capable, of man's deepst capacities... I seek to paint of how form manifests its subtlest quality named 'idea.
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I am particular about the seating of the audience - also about how much money they pay - but most of all where they are seated. If I am going to sing something intimate, who am I going to sing it to?
