Norman McLaren Quotes
Unless it's done superbly, as in the Japanese film Gate of Hell, color can be a very distracting element.
Quotes to Explore
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My hair is not really white; it's kind of grayish, and I don't like the color. So I make it totally white with Klorane dry shampoo. That is the best thing to do because my hair is always clean.
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Art is always an exaggeration in some sense; in color, in form, even in theme, etc... but it has always been this way. It is the same with the nature of some works by Giotto or Massacio, or the color of life as expressed by Van Gogh.
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Film is anti-language.
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At fashion shows, my brows often get bleached, and they've been dyed back much darker - like jet black, where you can't even see my skin. Sometimes with Just for Men! What a mistake. At times, the two brows aren't even the same color!
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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I read some of my stories recently and thought, 'How in the hell did I get away with that?' I had some really raw cynicism in some of them.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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There'll be a special place in hell for the tape back-up people.
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Hell, I never vote for anybody, I always vote against.
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I make sure that whatever film I do, I enjoy my role.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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With a huge storm, you need a lot of volume, but it can't become one loud noise. Dolby Atmos helped a lot because it gave us the separation of those elements.
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I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.
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Forever, we all had a real clear understanding of what Parcells' teams looked like and played like: tough as hell and didn't beat themselves.
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'Bombay Velvet' is my most romantic film, it's my 'Titanic' or 'Gone With The Wind.'
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I do think 'All Is by My Side' is the type of film I'm the most happiest.
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I did my first film when I was in the final year of my graduation. At that time, I was still a kid, and I couldn't read the industry very well.
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Archetypes are always [in my film-making]. It's sometimes interesting to just flip them a little bit and see the underside.
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At the Grammys, you walk down the halls and everyone's got five security guards. You can't talk to anybody. You always feel out of place, like, 'Hey, the rednecks are in town!'
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I think of the past and the future as well as the present to determine where I am, and I move on while thinking of these things.
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Simplicity is the highest goal, achievable when you have overcome all difficulties.
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Well, I'd had the Fat Mattress earlier as a writing outlet for songs and that.
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Unless it's done superbly, as in the Japanese film Gate of Hell, color can be a very distracting element.
