Eddie Marsan Quotes
I'm used to being in front of camera and knowing what to think. But if you're asking me to be me, I get very self-conscious. My job isn't to be me. Being an actor, people think you can do a eulogy at a funeral, a speech at a wedding. I find all that very nerve-racking.

Quotes to Explore
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Women can't be afraid to look like action heroes. It's not always pretty, but when it's on the screen, it translates well to the audience.
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You've just got to sing, do some kind of singing every day. Early mornings and cold weather can mess with that. I drink special teas with cayenne pepper, but I think you're psyching yourself out, really.
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When we don't have information, we go to the simplest outlook, to black and white. But then we have to lie to ourselves. Black is never as black as you're painting it and white is never as white.
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Linda Hunt is so good and so sweet. She is a Tony Award nominee and won an Oscar. Pearls just come out of her mouth.
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The next day, I got a phone call from him and he told me to come and read for a movie called New Jack City. So I went over there and they told me I was gonna wear dreads and play a cop.
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I think that its easy to think of the environment as all doom and gloom and that, 'What can we do, it's too late. And the polar bears are gone, and everything is gone.' But really, just the little steps that we can make as individuals make a big difference.
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The 'Room 93' EP was just kind of picking apart the sense of voyeurism and the sense of isolation and turning it into, essentially, a little black book and reflecting on - at that time - 19 years of me forming relationships with people.
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You look in my room and it looks neat enough, but if you dared to look under my bed or in my closet, oh what a mess!
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When I am cast in a movie where I feel that the woman's part is more interesting, I usually start thinking about Spencer Tracy and Fred Astaire. They seem to be the most clear actors when working with women.
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Starting in business is like getting married... there is really no good time and no bad time. The time is now.
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I like things simple.
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I've always been excited by rotoscoping, the technique used in films like 'Waking Life,' which fuses animation with real-life emotion. It seemed like it was a process ripe for innovation.
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You can't make a living as a playwright. You can barely scrape by.
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With few exceptions, one ought always do what one is afraid of.
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The realistic value of a work is completely independent of its properties in terms of content.
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Our culture is intent on taking the lines out of people's faces - surgically, with costly creams, and with fear and trembling - when, in fact, the opposite should be the case. As artists know, if there is anything behind a face, that face improves with age.
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I generally wake up at 4:30, have breakfast No. 1, then get to the pool by 5 a.m.
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The success of Torn was a bit too much for me. I took a year off and was still scared to start the second album.
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I couldn't bear a marriage in which one partner hinges on the other.
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I'd like to drift into Jessica Tandy-type parts.
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Basically, I tend to see the world differently to other people, and I write books and stories to alter the imagination of people so that they also see the world in a different way.
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I'm incredibly lucky to have the opportunity to bring Mae to work with me as I take on the guest role of 'Mary McGowan.'
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I'm used to being in front of camera and knowing what to think. But if you're asking me to be me, I get very self-conscious. My job isn't to be me. Being an actor, people think you can do a eulogy at a funeral, a speech at a wedding. I find all that very nerve-racking.