Will Champlin Quotes
Own every note I sing and sell it. Make a connection to the audience. That's what it comes down to, you know?
Quotes to Explore
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I don't know who took what. That is pretty private with an individual.
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Life isn't perfect, of course, but we all know it's how you react to things that counts.
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One never can know the whys and the wherefores of one's passional changes.
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I don't know how many people have ever seen the National Guard break in somewhere, but they mean business.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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I've lived in LA for so long, I don't even know what is real and what isn't any more.
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My works are an imitation of my own past and present.
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I'm obsessed. I've always needed to know what's going on but now it's a must.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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I approach love differently now that I know it's hard for it to work out.
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So there clearly is a sense in which the Labour Party here, certainly at State level is reaching out and connecting with people and reflecting the aspirations and needs of, you know the mass of ordinary Australians.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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I always had a feeling when I was a kid that I didn't really know what was going on. Everybody else knew stuff that I didn't know.
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We saw very little of the real Jack Buck behind the microphone. He would touch people in ways that we will never know. Jack was much more than just an announcer.
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You as an audience can look at these things as films, but I remember them as social experiences.
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In a zero corporate tax rate environment, if the private sector doesn't create tens of millions of jobs, then I don't know what it takes to create tens of millions of jobs.
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I believe that given the audience attention level, we could do an even more compelling 90 minutes.
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I felt like an outsider. The only time you get to really know guys is on the ice, and I couldn't be there.
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I'm drawn to melancholy characters. I don't know what that says about me. Characters who are filled with shame. I think shame is interesting.
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Bollywood music is definitely a big part of Indian music and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work.
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I want the pleasures of the real exploitation movie, and exploitation has changed so much in 40 years. Plenty of people grow up with this fantasy of, "We're going to do it like Roger Corman did it," as that sounds so fun. If you make something small, goofy and exploitative, it's nowhere near the guaranteed moneymaker it might have been 40 years ago. If you look at the way the world works now and money is made, it doesn't seem that fun. Maybe that's just a mental block I have and I need to get over that and find that corner where you can make money and still have a good movie.
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For me, sex is a refraction of the thing about identity. In the sexual contact, which is usually - but not exclusively - between two people, you do retain separate people.
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Own every note I sing and sell it. Make a connection to the audience. That's what it comes down to, you know?
