Will Eisner Quotes
Still,[...] in all forms of comics the sequential artist relies upon the tacit cooperation of the reader. This cooperation is based upon the convention of reading and the common cognitive disciplines. Indeed, it is this very voluntary cooperation, so unique to comics, that underlies the contract between artist and audience.
Quotes to Explore
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I just enjoy being onstage and relating to the audience.
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I get intrigued by a first lin and I write to find out why it means something to me. You make discoveries just the way the reader does, so you're simultaneously the writer and the reader.
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Anyone who says they want to make a game that becomes a cult classic is kinda screwy, right? I mean, you want to reach the largest audience you can.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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Nobody has yet proven that taking a chance and doing something unique that an audience isn't used to is a bad idea. What the theater lacks is that kind of courage.
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It's called the Samsung Chromebook Plus, and it runs on an ARM processor, the same type of processor that powers the vast majority of smartphones and tablets. It was designed in close cooperation with Google.
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My ultimate aim would be to captivate an audience, even just for a second.
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I don't have a director. The audience directs me.
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If I recall correctly, I think I signed my first contract with Tor in 1983.
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When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
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The Bushes were certainly part of Texas in their mind, but they didn't have the kind of political flavor that you normally find in Texas politicians. It's just Texas is such a unique place to itself that politically, at least so far, they haven't found anybody to play nationally.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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Some actors get fired up by the sound of the audience. I just want to retreat.
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Those with dementia are still people and they still have stories and they still have character and they're all individuals and they're all unique. And they just need to be interacted with on a human level.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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America is unique in the world. If you don't believe that, just ask someone from another country.
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My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.
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I wasn't trying to be a role model with 'The Dutchess,' but suddenly, seeing little girls in the audience with their moms made me think about what I do onstage a little bit more. I had to watch my mouth, because it can be filthy. It changed things for me.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life.
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Men are dogs. Men are dogs. We got to stop it. Men are not dogs. Uh-uh. Dogs are loyal.
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I would love to do espionage like 'The Thomas Crown Affair,' that kind of thing. And I've always had a fascination with madams. It's interesting to me what that institution is like, how those women are.
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In this type of the ... every five years, the secularism is changing the meaning. So now I am thinking that I must come with a new meaning of the secularism.
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Music is all about leadership and there ain't really a lot of leaders.
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Still,[...] in all forms of comics the sequential artist relies upon the tacit cooperation of the reader. This cooperation is based upon the convention of reading and the common cognitive disciplines. Indeed, it is this very voluntary cooperation, so unique to comics, that underlies the contract between artist and audience.
