Will Eisner Quotes
Still,[...] in all forms of comics the sequential artist relies upon the tacit cooperation of the reader. This cooperation is based upon the convention of reading and the common cognitive disciplines. Indeed, it is this very voluntary cooperation, so unique to comics, that underlies the contract between artist and audience.
Quotes to Explore
-
I just enjoy being onstage and relating to the audience.
-
Anyone who says they want to make a game that becomes a cult classic is kinda screwy, right? I mean, you want to reach the largest audience you can.
-
I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
-
Nobody has yet proven that taking a chance and doing something unique that an audience isn't used to is a bad idea. What the theater lacks is that kind of courage.
-
It's called the Samsung Chromebook Plus, and it runs on an ARM processor, the same type of processor that powers the vast majority of smartphones and tablets. It was designed in close cooperation with Google.
-
My ultimate aim would be to captivate an audience, even just for a second.
-
I don't have a director. The audience directs me.
-
If I recall correctly, I think I signed my first contract with Tor in 1983.
-
When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
-
The Bushes were certainly part of Texas in their mind, but they didn't have the kind of political flavor that you normally find in Texas politicians. It's just Texas is such a unique place to itself that politically, at least so far, they haven't found anybody to play nationally.
-
Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
-
Some actors get fired up by the sound of the audience. I just want to retreat.
-
Those with dementia are still people and they still have stories and they still have character and they're all individuals and they're all unique. And they just need to be interacted with on a human level.
-
I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
-
America is unique in the world. If you don't believe that, just ask someone from another country.
-
My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.
-
Pastoral ministry is a sacrificial call with unique challenges. We are called to take the Gospel to those with hard hearts and blind eyes.
-
I don't perceive an audience at all when I write a book. It's pure self-indulgence.
-
As a 10-year veteran of the NFL, I had a unique perspective weekly to see the heartfelt commitment of the fan. Regardless of years of disappointing and winless seasons, the true fans remained die-hard in their loyalty to 'the Team.'
-
I only know two cats in this business that really had it all; Elvis was one of those guys, the other was Ricky Nelson. There was a difference in those two guys though. Elvis moved...Ricky never had to; he stood flat footed and captivated his audience with his good looks. We grew up with him; those who didn't missed something. History books are gonna have to say that he played a big role in Rock 'n' Roll music.... and he did it his way.
-
Working together also requires more than shared habits; it requires habits that result in cooperation.
-
... one's own faults are always a heavy chain to drag through life and one can't help groaning under the weight now and then.
-
The colored man is in the South to stay there. He will not leave it voluntarily and he cannot be driven out. He had no voice in being carried into the South, but he will have a very loud voice in any attempt to put him out.
-
Still,[...] in all forms of comics the sequential artist relies upon the tacit cooperation of the reader. This cooperation is based upon the convention of reading and the common cognitive disciplines. Indeed, it is this very voluntary cooperation, so unique to comics, that underlies the contract between artist and audience.
