Will Eisner Quotes
Still,[...] in all forms of comics the sequential artist relies upon the tacit cooperation of the reader. This cooperation is based upon the convention of reading and the common cognitive disciplines. Indeed, it is this very voluntary cooperation, so unique to comics, that underlies the contract between artist and audience.
Quotes to Explore
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I just enjoy being onstage and relating to the audience.
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I get intrigued by a first lin and I write to find out why it means something to me. You make discoveries just the way the reader does, so you're simultaneously the writer and the reader.
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Anyone who says they want to make a game that becomes a cult classic is kinda screwy, right? I mean, you want to reach the largest audience you can.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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Nobody has yet proven that taking a chance and doing something unique that an audience isn't used to is a bad idea. What the theater lacks is that kind of courage.
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It's called the Samsung Chromebook Plus, and it runs on an ARM processor, the same type of processor that powers the vast majority of smartphones and tablets. It was designed in close cooperation with Google.
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My ultimate aim would be to captivate an audience, even just for a second.
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I don't have a director. The audience directs me.
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If I recall correctly, I think I signed my first contract with Tor in 1983.
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When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
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The Bushes were certainly part of Texas in their mind, but they didn't have the kind of political flavor that you normally find in Texas politicians. It's just Texas is such a unique place to itself that politically, at least so far, they haven't found anybody to play nationally.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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Some actors get fired up by the sound of the audience. I just want to retreat.
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Those with dementia are still people and they still have stories and they still have character and they're all individuals and they're all unique. And they just need to be interacted with on a human level.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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America is unique in the world. If you don't believe that, just ask someone from another country.
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My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.
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I want characters to have voices that feel authentic, unique, honest, fresh and original - all at once. Part of that authenticity is evoking genuine emotion across life - the sadness, passion, love, sense of loss, missed opportunities, and confusion even. All of this helps us realize that our choices do impact the lives that we eventually lead.
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I have considered rap music stars, and there is one in my new book, Lovers and Players, and there is also a hip-hop music mogul who I think you will like a lot.
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Art must anchor in nature, or it is the sport of every breath of folly.
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We should not televise trials. There's only one purpose for a criminal trial. It's to determine whether or not the defendant committed the crime. Anything that interferes or has the potential of interfering with that should automatically be prohibited.
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All coral in every world think of Australia the way that you and I think of Mesopotamia - it is the ancestral paradise of their civilization and they send it Valentines each February.
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Still,[...] in all forms of comics the sequential artist relies upon the tacit cooperation of the reader. This cooperation is based upon the convention of reading and the common cognitive disciplines. Indeed, it is this very voluntary cooperation, so unique to comics, that underlies the contract between artist and audience.
