Norman Granz Quotes
Quotes to Explore
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I like to grow and experiment, and as an artist, it's about kicking the bar up a little.
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Where I come from, if you weren't a drag queen or a radical thinker or a performance artist of some kind, you were the weirdo.
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The responsibility of an artist is to be honest with themselves.
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It's easier to release an ebook than a print book.
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I have to take it as a given that I have got a certain ability to do something. I can be an artist, which is take something and transform it into another thing. I can just see something, and I can see my painting.
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The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
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I guess I had a suspicion of it my entire life without knowing exactly what it was – knowing that there was something different about me, which I attributed to being an artist. At 11 or 12 I started sort of clarifying for myself. It took a while.
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When it comes to acting, I've always had a passion for entertaining and for making people laugh. On the music side, I really want to come out as an artist because I want people to see who I really am... artistically, I tend to be drawn to the darker things. What the music will be able to do is show people that I am an adult now.
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Write a story a great writer would write. Because part of becoming an artist is pushing through all the disbelief of those around you, deciding that you are a writer when you have no idea what a plot is or whether what you've written is any good, or anything.
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To be a truly conscientious artist, you have to look at what's not working and challenge it. You riff on things.
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It might crush a lot of people, but I've never been in the room with an artist that I've written a song for.
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The genuine artist is never 'true to life.' He sees what is real, but not as we are normally aware of it. We do not go storming through life like actors in a play. Art is never real life.
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Everything about the music industry takes away from you as an artist. They're always wondering what the next thing is: 'What do you have?' It's a very introverted process.
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I'd want to direct a video for Yoko Ono. As long as I got to work with Yoko Ono someday, I'd be really happy. I just think she's such a great artist - it would just be so nice.
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In Europe there's the upper crust, and these are long, historically families and social systems that have certain established rules that's harder to break into.
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Certain people want to see me solely as a pop act, but there are many different sides to Christina Aguilera besides the pop girl.
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I embraced being a pop artist, but I like doing it on my own terms, at my own pace.
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There are a lot of artists who haven't lost anything to domesticity. In my case, it probably did happen.
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My personal time is limited, more so than I wish. However, my wife and I have talked about the fact that there are opportunities right now that won't be there forever. For example, when the Grateful Dead offered me to tour in 2004, my first reaction was to say no, I just can't do it. Then my wife said, "Well, let's rethink this. You don't want to look back down the road and say, I could've done that, but I said no." So, we made it work.
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It is not the style but the quality and emotional impact of work that makes it marketable. Unless we make art that connects with people, we won't sell much, no matter what the style or subject.
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Any guy, even imaginary, would just feel like second best. Second best to what? I don't even have an image of the perfect boyfriend. I just know he must exist. Because I have all these feelings-love, longing, wanting to be touched, dreaming of being kissed-yet no one to focus them on.
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Experience will guide us to the rules. You cannot make rules precede practical experience.
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I made it easier for many artists to play in certain areas.
