Terry Teachout Quotes
Direction is the most invisible part of the theatrical art. It's not like the conductor in the symphony orchestra performance because he's standing in front of you waiving his arms. You now what he's doing. You don't know what the director is doing unless you know a lot about theater and even then you can only deduce it. You know it when you go to rehearsal. You really know it when they are rehearsing something of yours. I learned more in the rehearsals for The Letter than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
Quotes to Explore
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Living composers writing for big band are very few and far between. There are not a lot of them, and I have a talent for doing it. I am zeroing in on what I do best.
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I have an obsession with fashion - it's another form of expression for me - and I have a growing collection of vintage clothes and jewelry. Being able to play dress-up for my career has been a gift.
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It's really hard for me, every day, to confront my writing. It never gets easier over time.
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People tend to associate fairies with princesses, but they couldn't be more different. Princesses have dynastic and domestic pressures, and they get parked on glass hills. Fairies don't have families. They don't clean or cook. They sip nectar from flowers and dance by the light of the moon.
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Jane Austen's characters for women are always very strong, opinionated and elegantly written, so they're always great for an actress to have a chance to do.
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When I'm in 'Man vs. Wild' mode, it's not pleasure. Every sensor is firing and I'm on reserve power all the time and I'm digging deep - and that's the magic of it as well, and that's raw and it's great.
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Destroying rainforest for economic gain is like burning a Renaissance painting to cook a meal.
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Einstein was a man who could ask immensely simple questions. And what his work showed is that when the answers are simple too, then you can hear God thinking.
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The most enduring stories in literature generally have some kind of crime at their center, whether it's the bloody butchery of 'Hamlet,' the lecherous misanthropes of Dickens or the lone gunman from 'The Great Gatsby.'
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Tennis is for me joy, nothing less than that.
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I came to Hollywood and I loved it. It was a great time, but in my head I was still elsewhere, in Europe. I believed in a certain cinema, which I still do believe in - a certain European cinema - and as a young woman being in America, I thought I was being taken away from that.
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The influence of teachers extends beyond the classroom, well into the future. It is they who shape and enrich the minds of the young, who touch their hearts and souls. It is they who shape a nation's future.
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Love is the whole history of a woman's life, it is but an episode in a man's.
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My life is exactly the way it needs to be.
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I did not think I would be able to do myself justice if I had to speak to the players in English. I would not be able to get my emotions and feelings across.
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I've been married to the same man - even after the separation - longer than most people in this business. I'm sick to death of people mentioning it.
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I think the Bush Administration was bound and determined on regime change, and we will be paying the price of that for some time to come.
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I'm just trying to tell a nice story. Whether you're a writer or a producer, all you want to do is tell a good yarn.
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My potential is more than can be expressed within the bounds of my race or ethnic identity.
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I have seen landscapes . . . which, under a particular light, make me feel that at any moment a giant might raise his head over the next ridge.
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Growing up, I think I always had a sense of art: a sense that there was poetry in the world. I didn't know where I was going to find it. I didn't know where I was going to fit in, that was for sure. But I kept moving forward. There wasn't a future in anything other than movement.
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I was in art school once a week from six to 16, which was essential in shaping my artistic sensitivity.
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I don't believe that artists really are interested in money. That's not the motivation for art.
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Direction is the most invisible part of the theatrical art. It's not like the conductor in the symphony orchestra performance because he's standing in front of you waiving his arms. You now what he's doing. You don't know what the director is doing unless you know a lot about theater and even then you can only deduce it. You know it when you go to rehearsal. You really know it when they are rehearsing something of yours. I learned more in the rehearsals for The Letter than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
