Thelma Houston Quotes
When I joined, I was one of the first artists to sign on to the Motown West label when they opened their first studio in California. At the studio, you'd run into Stevie Wonder, you'd run into Marvin Gaye…it was very special.
Quotes to Explore
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I was shy. I was painfully shy, until fifth grade when I transferred to another school and befriended the class clown. And one day he was sick and I kinda stepped in for the class clown and I said, 'Wow, this is exciting, I'm a little bit nervous.'
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Loser lit antiheroes aren't well intentioned or earnest; they don't care whether you like them or not. They're self-mocking, ironic and inventive; they narrate their downfalls with manic wordplay, rampant metaphors, wisecracks, and escalating flights of spleen-fueled lyricism.
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A woman going out with a younger man feels like the last taboo.
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I think you can soften people's hearts, even if they have a lot of hate. Music can do that if it's beautiful and honest. If I can do that - soften just one person's heart - I consider myself successful already.
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I probably have a higher opinion of my writing than the average person, at least when I'm in a good mood, but I don't really think of my plays as only being relevant to a particular month or year.
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Hopefully in the future, generational challenges will be measured by achievement, not gender.
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There are no limitations to the mind except those we acknowledge.
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We move sometimes. We send messages to each other. We talk on the phone. Tell me, what can we do?
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The comic edge of 'Ghostbusters' will always be the same. It's still treating the supernatural with a totally mundane sensibility.
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Modeling has always played off my D.J.-ing, but it is a fun supplement.
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There are those who seem to feel they have no choice about being jerks in the present because they had a crappy childhood. Well, that's the definition of childhood; nobody gets out alive. You either get stronger from what you experience, or you turn it into a crutch, an excuse, a dodge.
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I'm not stuck in Strikeforce. I'm happy to be with them. It's where I started, and they've been great to me.
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Not to sound too much like Christopher Guest in 'Waiting for Guffman,' but on Thanksgiving you're putting on a show!
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Getting an audience requires luck as well as talent. Some artists are private and shy. It costs them too much.
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In the world of reality the more beautiful a work of art, the longer, we may be sure, was the time required to make it, and the greater the number of different minds which assisted in its development.
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I think people desperately want to feel love.
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I asked Ring Lardner the other day how he writes his short stories, and he said he wrote a few widely separated words or phrases on a piece of paper and then went back and filled in the spaces.
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I very, very much want to be involved in helping those senators, congressmen, and women who support the principles that made America great.
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What's invisible to us is also crucial for our own well-being.
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You need the audience to go on the ride with you. You can't just isolate them.
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I invested in a blow-dryer. I do a very simple blow out that I've gotten quite good at. I'm ambidextrous. I often wonder why people's hair looks lopsided. It's because it's hard to reach both sides of your hair.
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When I joined, I was one of the first artists to sign on to the Motown West label when they opened their first studio in California. At the studio, you'd run into Stevie Wonder, you'd run into Marvin Gaye…it was very special.
