Yorgos Lanthimos Quotes
Even before the economic crisis in Greece there was no structure for making films - no proper industry, and the structure didn't help filmmakers at all. So filmmakers had to help each other, and make very, very low-budget films. Now with the crisis, things got a bit worse, but filmmakers are still going to be making films. It didn't change that much.
Quotes to Explore
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I am a Buddhist.
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There's always the tendency to transform the Church into an ethical agency, and of measuring the Church by the yardstick of social and cultural utility.
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In a play, the director is God, and I'm a great arguer. Rather boringly so, I think, about trying different things.
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The Violence Against Women Act is so important. It provides money to train the cop on the beat, to train the judges that this is a new day, that we won't tolerate this violence and to know how to deal with it.
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I make sure I sing a cappella to let people know I can sing.
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I like 'MacNeil/Lehrer.'
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Sydney's beautiful, the weather's great, and the air's fresh and clean, but it doesn't have the scene and the amount of likeminded people. At home, things are very comfortable, but I feel like putting myself out there a bit.
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We must all learn to adjust with our surroundings.
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Social paralysis is strong and stands firmly in the way of change on the ground level. As allies, we have to prepare ourselves to step into the fire when necessary, even - and especially - when said fire is merely a still-lit cigarette tossed carelessly onto the street.
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The most intense conflicts, if overcome, leave behind a sense of security and calm that is not easily disturbed. It is just these intense conflicts and their conflagration which are needed to produce valuable and lasting results.
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Hope is the most important four-letter word in the language.
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You're not going to see me ever be partisan. I'll never take a position on a candidate or an issue.
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Whatever the right hand findeth to do, the left hand carries a watch on its wrist to show how long it takes to do it.
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There is a luxury in self-reproach. When we blame ourselves we feel no one else has a right to blame us.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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I will eat disgusting things, but only those with long established culinary traditions.
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I'm always keeping an eye out for a period piece. I was trained in theatre, so most of the things we did were classical - Shakespeare, Moliere, and Chekhov.
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The best migrant is the migrant who does not come.
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'Matilda' was my favorite movie to film and my favorite to watch, as well.
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My first experience on a feature film was with Shane Meadows on 'This Is England.'
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When she took her opposite place in the carriage corner, the brightness in her face was so charming to behold, that on her exclaiming, "What beautiful stars and what a glorious night!" the Secretary said "Yes," but seemed to prefer to see the night and the stars in the light of her lovely little countenance, to looking out of window.
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To whatever end. Where is the horse and the rider? Where is the horn that was blowing? They have passed like rain on the mountains. Like wind in the meadow. The days have gone down in the west. Behind the hills, into shadow. How did it come to this?
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The circumstances of the world are so variable that an irrevocable purpose or opinion is almost synonymous with a foolish one.
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Even before the economic crisis in Greece there was no structure for making films - no proper industry, and the structure didn't help filmmakers at all. So filmmakers had to help each other, and make very, very low-budget films. Now with the crisis, things got a bit worse, but filmmakers are still going to be making films. It didn't change that much.
