Theresa Breslin Quotes
In order to deliver the emotional truth in the story, you have to include some of the literal truth.
Quotes to Explore
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You can't get emotional about your work.
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I try to steal from the best. Suck it all in. 'Taxi Driver' is really a bible for film actors, a master class. A lot of emotional power, a lot of emotional depth but it's contained and you just see the tip of the iceberg.
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Music to me is so internal. It's physical and it's emotional. Whereas fashion is so much about the external that it's almost like a break. It's not inner turmoil. It's total escapism.
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I'm pretty much a dinosaur in the studio. I like things hand-drawn, even today. The story artists use Cintiqs, but I'm the only person who hasn't completely converted to computers. I like the Cintiq, but there's something about the raw emotional power of using paper and pencil.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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There's stuff I don't like to rehearse, really emotional things, I don't like to rehearse. You just beat it to death.
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I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
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The ultimate binding element in the medieval order was subordination to the divine will and its earthly representatives, notably the pope.
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When it comes to accepting emotional support or affection, I'm a little guarded and hardened to that.
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The world is changing and the physical barriers are down now. It's time for the emotional barriers to go down. And what better place to start than school?
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The history of Israel-Palestine conflict cannot be understood without its underlying emotional meanders. The emotional frameworks of the loss of Palestine for the Arab-Islamic world touched deep scars that go back to the Crusades, symbolizing a proof of Arab-Islamic decay, political impotence, and perceived (British/French) betrayal and antagonism.
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I chase after inspiring stories.
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Justice is merely incidental to law and order.
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I got into writing music when I was, like, 14 or 15. It was a very private thing for me because I used it as an outlet and emotional release. I kept it very close to myself and didn't tell too many people about it.
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A woman living with her mother has limited freedom; a man living with his mother has limited freedom and limited respect. For most men, the vacuum (of no support system) is so devastating, they’d rather agree with their wife than express their feelings and risk emotional withdrawal.
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A literary work can only be received through symbols, through concepts - for that is what words are; but cinema, like music, allows for utterly direct, emotional, sensuous perception of the work.
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I'm not an emotional person; I keep it in, and I wouldn't know how to get it out if it weren't for acting and writing.
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I have great mood swings, maybe because of playing lots of different characters as I do. I'm like a gymnast whose muscles get too stretched. I've got better at it, but I have a lot of emotional energy.
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What you can do with visual effects is enhance the look of the character, but the actual integrity of the emotional performance and the way the character's facial expressions work, that is what is going to be created on the day with other actors and the director.
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For we are inquiring not in order to know what virtue is, but in order to become good, since otherwise our inquiry would have been of no use.
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“There were good places and bad places to tell stories and there were of course stories that could not be told in any place on earth and these were reserved for heaven.
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In order to deliver the emotional truth in the story, you have to include some of the literal truth.
