Willem Dafoe Quotes
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With theatre, you have to be ready for anything.
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I don't worry so much about the audience. I want them very much to be involved and enjoy the movie, but I try to just inhabit the character in a full way, where I can create a personal stake.
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Film is fragmented and gets into lots of other people's hands. There are a lot of pleasures that theatre gives me. You get to perform uninterrupted.
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I'm not attracted to naturalism, I'm not attracted to behavior, I'm attracted to dance. I'm attracted to gesture, I'm attracted to singing with your voice, as opposed to having a natural manner. I'm a theater actor first, so that probably influences a lot of my approach. And I think in many ways, naturalism has ruined movies.
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Each of the actors is quite different, but they're all living in the same world.
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When you have something to work with, then you fly with it.
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Plenty of bad movies are very successful, and plenty of good movies are not. And distribution is so crazy, some films won't even get their day in court.
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I set myself challenges every time I work. Ideally I approach everything as though it's the first time - with a beginner's mind and an amateur's love.
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I feel like it's important to be flexible, particularly when I'm coming in late in the game and I'm connective tissue in the story. I'm not at the very center. It's important for me to have a certain kind of flexibility and try to help people do what they need to do.
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I'm an optimist. I hope if a movie's good that it will be a success, but that's not always true, just because of popular taste or any other reasons. When something doesn't do better than it deserves to in your mind, it's pretty transparent - you usually know why. Is that a comfort? Yes, because it's logical. Does it make you happy? No, because if you think a movie is beautiful or interesting, you want to share it. Sometimes you make very interesting movies that aren't meant for everybody. But this is a capitalist society, so everything conspires to put value on whether it sells or not.
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The worst thing is to get involved with people who aren't passionate about what they're doing.
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I have some sort of affinity for compulsive behavior. The most interesting stories come up from the people on the outside. They don't waste energy marching to the same drummer most of us do. It gives us an opportunity to look at things in a different way, which is the purest thing cinema can do.
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I try to attach myself to people who really inspire me, and directors who are really passionate. That way, I can give myself more fully and trust the impulse behind why the film is being made, and I can be a little more irresponsible in finding out what the character is.
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Central to being an actor is pretending, and the adventure of it all. That's why you become a junkie for different kinds of situations.
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I'm no different to anyone else; I want people to like me. I just don't particularly want them to understand me.
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Usually when you meet with a director, just meeting them after you've seen something you're interested in, they say, "Oh I'd love to work together," and sometimes you never hear from them again.
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Sometimes you're wrong, but if I'm a repeat customer, it means I must have valued the past experiences.
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The Midwest isn't somewhere you mix with those from the performing arts. But my mum and dad would go off to Chicago every so often to see shows. They would bring back the albums and the movies, those little eight metres, and we would all watch. I think that was when I fell in love with acting.
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One of the pleasures of being an actor is quite simply taking a walk in someone else's shoes. And when I look at the roles I've played, I'm kind of amazed at all the wonderful adventures I've had and the different things I've learned.
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I like to work with people of different cultures, different points of view. But yeah, I feel much more comfortable. That's the problem I sometimes have with going to Hollywood. I feel like they don't share the same values as I do. They aren't interested in the same things. It's not always true, but sometimes, I feel it deeply, because as an industry, they celebrate things that I'm less interested in, and it's all about the business.
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I was watching 'Wild at Heart,' and I can honestly say I did nothing for that apart from show up!
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It's true in the beginning I started playing villains, and I think that's pretty clear, because if you don't conventionally look a certain way and you've got a certain kind of presence when you're young, then what's available to you is character roles, and the best character roles when you're young tend to be villains.
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When I was a kid I was very interested in the idea of the will, finding out what you're capable of. I liked those kind of challenges.
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If you know what it is before you even start, it's not as interesting. Central to being an actor is pretending, and the adventure of it all. That's why you become a junkie for different kinds of situations. I try to attach myself to people who really inspire me, and directors who are really passionate. That way, I can give myself more fully and trust the impulse behind why the film is being made, and I can be a little more irresponsible in finding out what the character is. I have to worry less about what the character means if I trust the director.