Thomas A. Edison Quotes
Quotes to Explore
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The circus allows one to be logical and unreal at the same time. In the circus, all is possible: there can be a man with two heads or a character with a green face.
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Even when I was making the first 'Paranormal Activity,' I didn't tell anyone I was making it, not my friends or neighbors or co-workers. I just kind of found that there was nothing to gain by announcing to the world that you're doing something.
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One of my earliest memories is of my father carrying me in one arm with a picket sign in the other.
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The working environment in L.A. is really refreshing, really good. Because in Malaysia, it's a small country - you end up working with the same people that you like and that you know.
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I can't take the theater side out of myself.
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I don't know what's going to happen in life, so I don't think it's fair that I know what's going to happen in 'Homeland.'
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Tradition does not mean that the living are dead, it means that the dead are living.
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I worked on the workshop of 'Topdog/Underdog' before it went to Broadway. My minor in school was theater, so I'm based in that, and then I moved to Los Angeles.
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I remember, one day, I just printed out about a hundred CVs, and I was running around London. I was going to modeling agencies, temping agencies, anything. I was so desperate.
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I think having children is the most amazing thing.
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God blessed me with two unbelievable parents, and I am just like both of them. I have the smile and charisma of my mother and the big heart of my mom, because she wants to save the world and help the world, so I am just like her.
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I don't think anybody's really been successful with theorizing about value or creating a price theory.
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I don't trust Santa Barbara as far as I can spit. I am afraid that if I went back there, it's possible that I could be run through their system, their judicial system, and wind up in some county jail where I could be killed and I'm not gonna take that chance.
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One of the things that I was always, and still am, is quite resourceful.
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The more I learned about Shoeless Joe, the more I felt he was maligned.
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Now there is a new group every week; it seems like everybody and anybody can get into the charts.
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I find that movies tend to fix the aesthetics of a story in people's minds.
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I learned from my community how to shoot a gun, how to shoot it well. I learned how to make a damn good biscuit recipe. The trick, by the way, is frozen butter, not warm butter. But I didn't learn how to get ahead.
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Certainly as actors, and maybe as directors, you've got to hang on to something childlike. You've got to know what play is. I haven't worked with Mike Leigh, but I know him very well and there's something open in his eyes about what's in front of him. And the same is true of Alfonso in a Mexican, mad way. There's an enthusiastic response to something. Neil Jordan, the same, when he gets excited . You just want to know there's a human being in there.
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The hard way builds solidly a foundation of confidence that cannot be swept away.
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There is always a better way.
