Aaron Zigman Quotes
There is competition. It's almost like I'm back in tennis competing in a way. There are usually about twenty composers vying for the number one spot for a big or medium film.
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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But the process of making a film is not glamorous. Certainly not my films.
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Film has played such a big part in my life, in my impressions of the United States.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I think it is often easier to make progress on mega-ambitious dreams. Since no one else is crazy enough to do it, you have little competition. In fact, there are so few people this crazy that I feel like I know them all by first name.
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Being in a Woody Allen film. I cherish it.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Competition is good and has served us well.
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My name can raise money on a small-budget film.
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America's peak years of indigenous innovation ran from the 1820s to the 1960s. There were a few financial panics and two depressions, to be sure. But in this period, a frenzy of creative activity, economic competition and rapid growth in national income provided widening economic inclusion, rising wages for all, and engaging careers for most.
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I've only used my own voice about four times on film.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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I think it is absolutely essential in a democracy to have competition in the media, a lot of competition, and we seem to be moving away from that.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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If the money's right, I'll do a film.
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We never take this stuff for granted. The longer we're out here, too, in a lot of ways, the more we appreciate it, because we see so many great acts who're out here with us, and you realize how steep the competition really is. So, this win is even better 'cause it says people are still digging what we're doing. We're still keeping it fresh and people are into it.
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Everyone is tested. One might think it is unfair to be singled out and subjected to a particular temptation, but this is the purpose of mortal life—to be tested. And the answer is the same for everyone: we must, and we can, resist temptations of any kind.
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I hope to have more than one main weapon. I have the Phenomenal Forearm as we're calling it now, the Calf Crusher - the Styles Clash is still available. I like to have a lot of alternative moves to hit people with, and whatever seems to work is what I'll go with.
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A newspaper that is true to its purpose concerns itself not only with the way things are but with the way they ought to be.
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Writing-wise, I like to have a lot of things on the burners at once, because when I hit a wall, I like to move on to the thing I haven't hit a wall on.
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There is competition. It's almost like I'm back in tennis competing in a way. There are usually about twenty composers vying for the number one spot for a big or medium film.
