Abdelkader El Djezairi Quotes
By reason of his elegance, he resembles an image painted in a palace, though he is as majestic as the palace itself.

Quotes to Explore
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I am concerned if 25 percent of Americans think that President Obama is a Muslim. I mean, it's obviously a lack of knowledge. But also, it's for the Muslims as well, you know, because a small numbers of Muslims have really painted a very negative image of Islam.
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I would like people to know me for who I am, especially since I think people have a very skewed image of me. I was playing a lot of cute characters, a lot of little girls; I was objectified. And I don't want people to think of me as that because it's not who I am, and because I've seen a lot of hostility towards that image.
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I have never thought about creating an image for myself in Bollywood. I am an actor and just want to experiment with roles. I am ready to do all type of roles.
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The image I had was that Oprah books were fluffy.
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I was obliged to stand there, holding the leash of this creature for their welcoming publicity shots, implying that this was some kind of image the decided to have of me.
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Beauty itself is but the sensible image of the Infinite.
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With social media especially, there's a lot of image issues that everyone faces because there's so much pressure on us.
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I never say never about a lot of things. Whatever you want, then more power to you. If someone feels they have to live up to a certain image, then I can kind of understand that pressure because I'm considered to be one of those images, and I know how unreal they are.
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The poetic image is a sudden salience on the surface of the psyche.
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The orgasm has replaced the Cross as the focus of longing and the image of fulfillment.
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I don't know if we tell women great news about themselves enough. You'd be surprised how often a young woman doesn't hear positive things about herself - not in her home, not at school. It's hard to create a beautiful image for yourself when you've never seen it or heard it.
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An image means nothing. It is just a door, leading to the next door. It will never happen that we will find the truth we are looking for just in an image; it will happen behind the last door that the spectator discovers the truth, because of his own efforts.
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One of the differences between now and then is that the idea of body image is a much bigger issue now. Back then, just being kind of heavy and barrel-chested passed for heroic. Now, you wouldn't dare to play a hero without a lot of dieting and various specialised abdomen machines. But that was one of the things which was interesting about it and I did want to portray because there's good and bad.
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Every single work of art is the fulfillment of a prophecy; for every work of art is the conversion of an idea into an image.
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There aren't many male stars - that's a loose term - like Kirk [Douglas] around. Most of those virile personalities have to keep working, continue the image because they can't do anything else. They don't even read. Their real identity is in making those pictures. They have to keep jumping on horses and hitting somebody on the head with a gun.
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I have no interest in art. Let me clarify — I have no interest in non-nude images.
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(When thinking about the Ruth character) I have a terrible image in my mind of a cow going to slaughter. There's not a lot of fight in them. Pigs, they'd squeal and thrash around. They'd fight. It's almost as if cows don't know they have a choice. Not that they don't panic, but they do so in a quiet way.
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Aggression against life and property can only damage the image of a peaceful Islam.
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Who is there in the world who can insult the God in the image?
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I guess the wildcard here is Terrence Malick. He supervised me while I was writing the script for Beautiful Country, and he is a genius, although not always easy to follow. What I learned from him is that the narrative can be tracked through all kinds of scenes, that the strong narrative thread is not always the one that is most obvious. Creating narrative with Malick was a bit like chasing a butterfly through a jungle. This approach to narrative is fun and complicated, something that makes the process of writing constantly interesting to this writer.
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The distinguishing trait of people accustomed to good society is a calm, imperturbable quiet which pervades all their actions and habits, from the greatest to the least. They eat in quiet, move in quiet, live in quiet, and lose their wife, or even their money, in quiet; while low persons cannot take up either a spoon or an affront without making such an amazing noise about it.
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By trusting Christ's redemptive work for us, we can enter into what we long for: the happiness found only in God.
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By reason of his elegance, he resembles an image painted in a palace, though he is as majestic as the palace itself.