Marat Safin Quotes
Quotes to Explore
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You've got to be taught to hate and fear.
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You wouldn't have won if we'd beaten you.
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It's called talent. I just have it. I can't explain it. You either have it or you don't.
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What I'm trying to do is to write a story. If you take something from it, that's wonderful; if you don't, that's wonderful as well.
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The most nurturing of directors can make you feel too comfortable, and you don't really push for that extra whatever.
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If you tell me I can't eat something, I'll obsess over it and end up overeating!
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When you are the invisible man to the head coach, the only option is to head for the exit.
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With sitcom writing, you're trying to write stories.
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I have trusted to my intuition to find the subjects, and I have written intuitively. I have an idea when I start, I have a shape; but I will fully understand what I have written only after some years.
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NoScript is probably the most important privacy tool, but it costs you in convenience.
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Success is the maximum utilization of the ability that you have.
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You can always make peace with an F-16 in your pocket.
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You can't get emotional about your work.
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Unless you're a salesman, or a bad guest on a talk show, you don't call someone by his name that often.
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I guess when I first started speaking with an American accent, there's a tendency to create a caricature of the accent because you just exaggerate the pieces that stand out to you.
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Being boring is just wrong, isn't it? You wouldn't have got anywhere being boring.
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I'm sensitive, you know, about some things, and as some of my partners could attest to, incredibly insensitive.
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We must recognize our own behavioral errors. To be blunt, you are not likely to become a cognitive Zen master anytime soon. But a little enlightenment could keep you from making some common investing errors.
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Filming is about continuing to be alert and to think, and I find it quite exhausting.
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I know the fact that I was born means I have to die, so my only aim is to reach out and help someone along the way.
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I've never liked rehearsing too much.
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'Lost' is driving toward an ending, and that ending is: Are these people getting off this island? What is the nature of this island? What is going to happen to them? What is their ultimate fate? What is their ultimate destiny? Those questions need to get answered.
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Life is never free of contradictions.
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You can find flaws in Agassi and Sampras, but Federer has none.
