Nivin Pauly Quotes
When you are successful, there is this tendency to repeat the elements that we believe have worked in a certain film. Then it becomes formulaic, and there is no getting back.

Quotes to Explore
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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Being in a Woody Allen film. I cherish it.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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All my brother Eliot and I did as kids was film sketches.
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A film has its own life and takes its own time.
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My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
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When I am not working, I try to watch more than one film a day if I can.
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Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
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I want to do theatre and film and direct my own things and develop.
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'Bombay Velvet' is my most romantic film, it's my 'Titanic' or 'Gone With The Wind.'
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I did my first film when I was in the final year of my graduation. At that time, I was still a kid, and I couldn't read the industry very well.
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I've tried singing like somebody else, and it never worked for me. The only thing that has ever worked for me was me being me, so either you love it or not.
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Beautiful film music can be made relevant to any period.
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I've just had the opportunity to see the finished film of 'The Hunger Games.' I'm really happy with how it turned out. I feel like the book and the film are individual yet complementary pieces that enhance one another.
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It's very difficult to escape your background. You know, I don't think it's necessary to even try to escape it. More and more, I start to think that it's necessary to see exactly what it is that you inherited on both ends of the stick: your timidity, your courage, your self-deceit, and your honesty - and all the rest of it.
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I spent the first twenty years of my writing career preparing for the mystery genre, which is my favorite literary form.
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For some reason, Hitch wanted to do the longest dolly shot in cinema history. The idea was that the shot would begin with an assembly line, and then you'd gradually see the parts of the car added and assembled, and, all the while, the camera's dollying for miles along with the assembly line, and then eventually there's a completed car, all built, and it's driven off the assembly line, and there's a dead body in the backseat ... It was intriguing, but it had no place in the picture.
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When you are successful, there is this tendency to repeat the elements that we believe have worked in a certain film. Then it becomes formulaic, and there is no getting back.