Nivin Pauly Quotes
When you are successful, there is this tendency to repeat the elements that we believe have worked in a certain film. Then it becomes formulaic, and there is no getting back.
Quotes to Explore
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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I will only do a Hollywood film when there is something special offered to me.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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Being in a Woody Allen film. I cherish it.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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All my brother Eliot and I did as kids was film sketches.
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A film has its own life and takes its own time.
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My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
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When I am not working, I try to watch more than one film a day if I can.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
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I want to do theatre and film and direct my own things and develop.
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'Bombay Velvet' is my most romantic film, it's my 'Titanic' or 'Gone With The Wind.'
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I did my first film when I was in the final year of my graduation. At that time, I was still a kid, and I couldn't read the industry very well.
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I don't really want a film as a present; you can get me a diamond ring.
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Why was I worried? Because if, in everyday life, I was so embarrassed, so cautious, that I scarcely breathed, the diary produced in me a craving for truth. I thought that when one writes, it makes no sense to be contained, to censor oneself, and as a result I wrote mostly—maybe only—about what I would have preferred to be silent about, resorting among other things to a vocabulary that I would never have dared to use in speaking.
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When you are successful, there is this tendency to repeat the elements that we believe have worked in a certain film. Then it becomes formulaic, and there is no getting back.
